Dobri Isak (Serbian Cyrillic: ÃÂþñÃÂø ÃÂÃÂðú; trans. Kind Isaac) was a Yugoslav post-punk/darkwave band formed in Nià ¡ in 1983.
Dobri Isak existed for only a couple years, releasing only one studio album, Mi plaÃÂemo iza tamnih naoÃÂara (1984), before disbanding in 1986. During the following decades, the band's only album continued to enjoy a cult status, and after it was reissued in 2009, it received new attention from audiences and recognition from music critics in Serbia and other former Yugoslav republics.
Dobri Isak was formed in Nià ¡ in late 1983 by Predrag CvetiÃÂanin (guitar, vocals), Zoran ÃÂorÃÂevià(guitar), and two members remembered only by their first names, Branko (bass guitar) and Boban (drums). Alongside the groups Fleke (Spots) and Arnold Layne i Alhemia (Arnold Lane and Alchemy), Dobri Isak were the most prominent act of the city's new wave scene, which was part of the vibrant Yugoslav new wave scene. Having performed at minor local venues, Dobri Isak recorded a home-made demo, however, the lineup dissolved during the summer of the following year. After several months, CvetiÃÂanin, with bass guitarist Miloà ¡ Miladinoviàand drummer Saà ¡a Markovià"Markiz", reformed the band. Soon after, Nenad CvetiÃÂanin, Predrag's brother, also became a member of the band. He joined the band while his own, Arnold Layne i Alhemia, was on hiatus due to part of the members serving their mandatory stints in the Yugoslav army.
The band recorded their first and only studio album Mi plaÃÂemo iza tamnih naoÃÂara (We Cry Behind Dark Glasses), released in 1984 by the Nià ¡ Students' Cultural Center (SKC), being the first release of the Center's Studentkult production, which issued an array of musical and literary releases. Part of guitar sections on the recording were played by Dejan KrasiÃÂ, also a member of Arnold Layne i Alhemia. The album was released on compact cassette only and printed in a limited number of 100 copies. It had been distributed by the Ljubljana Students' Cultural Center, and rapidly sold out, but owing to copying managed to reach underground music audience in all parts of Yugoslavia.
Following the album release, the band performed at the 1985 Serbian Youth Festival in Knjaà ¾evac, winning the Best Performance Award, and gaining the opportunity to appear at the Dani Novih Omladinskih Novina (Days of New Youth Magazine) in Split during the summer of the same year. After the Split performance, the band performed with several other Nià ¡ bands at the Pozdrav iz Nià ¡a (Greetings from Nià ¡) festival in Skopje. In a short time period, the band had another performance in Skopje, appearing as guests at the first solo concert of the band Padot na Vizantija.
During late 1985, the band performed at the Rock Bands Festival held at the Belgrade Youth Center, and in early 1986 they had two appearances at the Zagreb alternative rock festival YU Rock Moment, during March in the semi-final, and in May at the festival finale, held at Zagreb's Republic Square, performing with Let 3, Oktobar 1864 and Mizar, among other acts. During 1986, Predrag CvetiÃÂanin produced the recordings for the Nià ¡ synthpop band RomantiÃÂne Boje (Romantic Colours), singing part of the lead vocals on the track "San" ("A Dream"), but the recordings were never released due to the unsuccessful negotiations with PGP-RTB record label; the material would be officially released for the first time in 2016 by California record label Doomed to Extinction.
Dobri Isak performed until 24 May 1986, when they held their last concert, performing with Arnold Layne i Alhemia and Mizar at Nià ¡ Synagogue, after which they decided to split up.
Following the band's disbandment, Predrag CvetiÃÂan started the publishing house Dom (Home). For a period of time, he published his fanzine Glas prola (Prole's Voice). In 1988, he published the book Svetla u podrumu duà ¡e (Lights in Soul's Basement), featuring his translations of Joy Division lyrics. Eventually, he gained a PhD in sociology, becoming a professor at University of Nià ¡ Faculty of Arts, where he still teaches. He wrote a number of books on sociology.
During the 1990s and the 2000s, Dobri Isak's only album enjoyed a cult status. In December 2009, the indie record label PMK Records re-released Mi plaÃÂemo iza tamnih naoÃÂara with seven additional bonus tracks consisting of previously unreleased material. The album reissue brought the new attention of the audience and recognition from music critics in Serbia and other former Yugoslav republics.
In June 2010, PMK Records released the 150 copies limited edition reissue of the album, featuring an alternate album cover and a black CD. In 2015 the album was released on vinyl record for the first time by the same record label. During the same year, the label issued the 100 copies limited vinyl edition of the album on transparent red vinyl, co-releasing it with Swedish record label Ne! Records. In 2021, the album was once again reissued on vinyl by PMK Records, Ã Â areni duÃÂan and Blind Dog Records.
In 2016, PMK Records released the tribute album I mi plaÃÂemo iza tamnih naoÃÂara (We Too Cry Behind Dark Glasses), featuring covers of Dobri Isak songs by the bands Asphalt Chant, Iv/an, Figurative Theatre, Cyborgs on Crack, Pod, Novembar, Language.Sex.Violence, Paydo Komma, Baden-Baden, Katabazija, Plazma Maschina, Ã Â lagvort Na Kraju, Psihokratija, Plastic Sunday, Horkestar and t.O.F. Croatian rock band Mlijeko released a cover of "Mi plaÃÂemo iza tamnih naoÃÂara" in 2010.
The 2012 documentary about Nià ¡ rock scene directed by Marijan Cvetanoviàand Velimir Stojanoviàwas entitled Mi plaÃÂemo iza tamnih naoÃÂara.