Dinamiti (trans. The Dynamites) were a Yugoslav rock band formed in Osijek in 1963. They were one of the pioneers of the Yugoslav rock scene.
Dinamiti were formed in 1963 by Krunoslav "KiÃÂo" Slabinac (vocals, rhythm guitar), Antun "Tuca" Nikolià(guitar), Alberto KrasniÃÂi (bass guitar), Miroslav à  aranovià(drums) and Vladimir Lazià(organ), à  aranoviàsoon being replaced by Ratomir "Ratko" Divjak. The band performed covers, attracting large attention of the audience and the media, gaining the reputation of competent instrumentalists. After Slabinac, Nikoliàand Laziàleft the band, KrasniÃÂi and Divjak were joined by vocalist Dado Topiàand guitarist Josip BoÃÂek. The band continued to perform covers, but also started to move towards progressive rock with TopiÃÂ's compositions and their jazz-influenced improvisations. The band disbanded in 1969, after Topiàand then BoÃÂek moved to Korni Grupa.
After leaving Dinamiti, Slabinac achieved large success as a solo artist, becoming one of the most notable acts of the 1970s Yugoslav pop scene. TopiÃÂ and BoÃÂek achieved nationwide popularity with Korni Grupa, before TopiÃÂ left the band in 1971 to form Time, also a highly successful act on the Yugoslav rock scene. Divjak dedicated himself to jazz, performing as a member of numerous jazz and jazz fusion ensembles.
Dinamiti's history begins in 1961, when vocalist and rhythm guitarist Krunoslav "KiÃÂo" Slabinac formed the band Tornado in Osijek. In 1962 the group changed the name to Kon-Tiki, and in 1963 started working under the name Dinamiti. The first Dinamiti lineup featured, beside Slabinac, Antun "Tuca" Nikolià(guitar), Alberto KrasniÃÂi (bass guitar), Miroslav à  aranovià(drums) and Vladimir Lazià(organ). Soon after the group started performing as Dinamiti, à  aranoviàmoved to the band Indexi, and was replaced by Ratomir "Ratko" Divjak.
The band performed mostly at dances, gaining attention of the audience as a cover act. For a period of time, they held regular concerts in Zagreb's Workers' Hall, performing four to five times a week, with 1,200 to 1,500 people attending each of these performances. They performed diverse material, from jazz and contemporary rock hits to schlagers, gaining reputation as competent instrumentalists. The band made some recordings on reel-to-reel tape recorder, and these songs were often played on Radio Osijek and in Osijek cinemas.
In 1966, Dinamiti performed on the first edition of Belgrade Gitarijada festival, winning the seventh place. In 1967, they performed on the second edition of Belgrade Gitarijada, reaching the festival's semi-finals, and won the first place at Zagreb Gitarijada festival, after which they went to Germany, where they performed in the clubs P.N. Hit House and Havana Beat Center in Munich. However, after only several weeks, they had to return to Yugoslavia, as both Slabinac and Nikoliàwere drafted to serve their mandatory stint in the Yugoslav Army. The band continued their activity after Slabinac's and NikoliÃÂ's return from the army, achieving local success with the song "Plavuà ¡a" ("Blonde Girl"), written by Stevo Radoviàof the band Bele Vià ¡nje, with whom Slabinac served his army stint in Titograd. However, at the time Slabinac fell in love with the daughter of the Colorado Circus owner, so together with Nikoliàand Laziàhe started playing in the circus orchestra. While the circus performed in Belgrade, Slabinac and the girl broke up, so the three musicians left the orchestra. In order to earn some money quickly, they formed the band Vizije (The Visions) with two Belgrade musicians, brothers Toma and Miodrag MilanoviÃÂ, for a period of time holding regular concerts in Belgrade Youth Center.
After Slabinac, Nikoliàand Laziàleft the band, KrasniÃÂi and Divjak invited vocalist Dado Topiàand guitarist Josip BoÃÂek, at the time members of the band ÃÂavolji Eliksiri (The Devil's Elixirs), to join them. The new incarnation of Dinamiti became a live attraction, thanks to their performances based on improvisations and covers of works by foreign progressive rock acts. The band also performed some of TopiÃÂ's compositions, like "Novine" ("Newspapers") and "à ½ivot moj" ("My Life"), which were in accordance with the emerging trends on the Yugoslav rock scene and were well received by the audience. This lineup of the band won the first place at the Zagreb Gitarijada festival, the Golden Guitar Award and the Audience Award at the Belgrade Beat Festival and performed on Radio Belgrade on several occasions. The band's work, especially TopiÃÂ's vocal skills, was widely praised by the Yugoslav press. They made some recordings, but never released any of them.
In 1969 the band moved to Zagreb, where they performed mostly in the clubs Kuluà ¡iàand Lola. In the summer of 1969 they held a large Adriatic coast tour, with Josipa Lisac and Alenka Pinteriàas guest vocalists. The band attracted new attention of the press after German string instrument manufacturing company Framus gifted them an electric guitar. However, despite the attention of the audience and praises by the music press, Dinamiti ended their activity at the end of 1969, as Topiàmoved to Korni Grupa, where he was soon joined by BoÃÂek.
After he ended his activity with Vizije, Slabinac started a career as a solo singer, achieving huge success on the Yugoslav pop scene. He died on 13 November 2020. With Korni Grupa TopiÃÂ and BoÃÂek achieved nationwide success. In 1971 TopiÃÂ left Korni Grupa and formed highly successful band Time. Divjak dedicated himself to jazz music, studying at the University of Music and Performing Arts Graz and playing in various ensembles, including Time and the successful jazz rock band September. Alberto KrasniÃÂi wrote several songs for the Osijek band Had (Hades), released on the band's 7-inch singles.
In 1994, the recordings of the songs "ÃÂaÃÂak kolo" and "ÃÂaÃÂava mehana" ("Dusty Tavern"), both covers of traditional songs, were released on the Komuna compilation albums ' (In My Veins: Ethnic Rock) and ' (Spark of the Lost Love: Music of the Sixties) respectively, as a part of the YU retROCKspektiva (YU RetROCKspective) album series. The recordings "Tema za bossa novu" ("Bossa Nova Theme") and "Crying Time" (a cover of Ray Charles song) were published on the box set Kad je rock bio mlad - PriÃÂe sa istoÃÂne strane (1956-1970) (When Rock Was Young - East Side Stories (1956-1970)), released by Croatia Records in 2005 and featuring songs by the pioneering Yugoslav rock acts.