Deanna Morse is an independent American experimental filmmaker and media artist. Her work is included in collections at the Metropolitan Museum of Art.
For the period of , she is president of the International Animated Film Association. She has been a member of the Academy of Motion Picture Arts and Sciences since 2020.
Morse graduated from Iowa State University with a degree in telecommunicative arts and distributed studies in 1972. She received an M.A. in film and teaching at Goddard College, and in 1992 received a Master of Fine Arts (art and technology), with a merit scholarship from the School of the Art Institute of Chicago. In 1995, she was awarded an outstanding alumni award by Iowa State University.
After graduation she became an assistant editor at WGBH-TV in Boston, and also worked as a scriptwriter for the Virginia Department of Education, and on a series about desegregation for Virginia PBS. She was then hired as an artist in residence for the South Carolina Arts, where she taught for four years, and was filmmaker-in-schools in 1975âÂÂ1976.
She taught at the College of Charleston, at Regis College, and then at Grand Valley State University in Allendale, Michigan, for thirty-three years, retiring as an Emerita Professor in 2013. During her time at GVSU, she released the retrospective and interactive DVD Move Click Move in 2001 and used the proceeds to fund scholarships. There she also created, together with some of her students, a Flash animation for the international participatory project Flag Metamorphoses
Her film Lost Ground was part of the 1992 SIGGRAPH Art Show. She was chair of the SIGGRAPH 1994 Art and Design Show, and a juror for the art show in 1998.
She has judged festivals and computer graphics competitions including the Hiroshima International Animation Festival in Japan and the Ann Arbor Film Festival.
She has published articles in Animation World Network.
She has made several films for Sesame Street, including Dogs (1991), Monkey's T-Shirt (1991), and Night Sounds (1992).
Hyperallergic wrote about her 1989 animated film Plants that "The play of light, color, line, and shape can be mesmerizing ... vegetal patterns move and spin to evoke plants". Plants was also reviewed by the Chicago Reader, which noted that she " ... creates still-life portraits of flowers using rudimentary (but then-sophisticated) computer drawing tools".