Dakor (Gujarati: ISO 15919: á¸ÂÃÂkà Âra) is a small city and a municipality in Kheda district in the state of Gujarat, India. It is prominent for its temple of Raá¹Âchoá¸ÂrÃÂyjë.
The temple of Raá¹Âchoá¸ÂrÃÂyjë houses a mà «rtë of the Trivikrama form of Viá¹£á¹Âu idols. Trivikrama idols are standing and have four hands ("caturbhuja"). Each hand holds an item: the cakra (discus), à Âaá¹ kha (conch), padma (lotus), and gadà(mace) in that order beginning at the upper left hand and ending in the upper right hand. The name "Raá¹Âchoá¸Â" refers to the incident when Kråṣá¹Âa fled the battlefield by running away from JarÃÂsandha to DvÃÂrakÃÂ. In Gujarat and Rajasthan, all Trivikrama idols of Viá¹£á¹Âu are known as "Raá¹Âchoá¸Â". The Raá¹Âchoá¸ÂrÃÂyjë idol at á¸ÂÃÂkor in particular has had a small golden flute placed in the lower right hand in order to convey that Raá¹ÂchoḠ(a Trivikrama idol of Viá¹£á¹Âu) and Kråṣá¹Âa-GopÃÂl are identical. Mallison notes a broader trend in Gujarat where Viá¹£á¹Âu-Trivikrama-Raá¹ÂchoḠidols are considered identical with Kråṣá¹Âa by locals (as seen at the DvÃÂrakÃÂdhëà Âa temple in DvÃÂrakÃÂ, à ÂÃÂmalÃÂjë, and Tulsëà ÂyÃÂm), which she considers a representation of the increased popularity of the Kråṣá¹Âa-GopÃÂl cult in Gujarat over Viá¹£á¹Âu-Trivikrama.
According to the á¸ÂÃÂkor-mÃÂhÃÂtmya, a Rajput named Boá¸ÂÃÂá¹Âo aka Vijayasiá¹Âha used to visit DvÃÂrkÃÂdhÃ«à  at DvÃÂrkÃÂ, but lived in á¸ÂÃÂkor. In 1151, when Boá¸ÂÃÂá¹Âàreached the age of eighty years, God told Boá¸ÂÃÂá¹Âàthat he would join him in á¸ÂÃÂkor. Boá¸ÂÃÂá¹Âàborrowed a cart and bullocks from a local cowherd and sold his utensils to feed them, and made for DvÃÂrakÃÂ. When he reached DvÃÂrakÃÂ, the Gugalës (temple priests of DvÃÂrakÃÂ) suspected his intentions and put additional locks on the temple. However DvÃÂrkÃÂnÃÂth now named Raá¹ÂchoḠhimself slipped out of the temple and awoke Boá¸ÂÃÂá¹Âàand told him to drive away with him. When they left the city gates Raá¹ÂchoḠhimself drove the cart while Boá¸ÂÃÂá¹Âàslept. When the Gugalës awoke in the morning to find DvÃÂraknÃÂth missing, they chased Boá¸ÂÃÂá¹Âàback to á¸ÂÃÂkor, where he had hidden Raá¹ÂachoḠin the Gomatë reservoir. Raá¹ÂchoḠtold Boá¸ÂÃÂá¹Âàto meet the Gugalës and give them presents of curds, but the Gugalës threw a lance at him. According to the mahÃÂtmya the lance instead landed on Raá¹Âachoá¸Âjë whose blood bloodied the waters of the Gomatë and revealed his location. The Gugalës then tried to remove the image from the waters but were unsuccessful. The Gugalës became repentant and began fasting to try remove their guilt. Boá¸ÂÃÂá¹ÂÃÂ's wife Gaá¹ gàcould not bear to see this sight, so when she was giving Raá¹ÂchoḠhis daily evening roá¹ÂalÃÂ, she offered to give him lÃÂá¸Âus if he bestowed grace on the Gugalës and to not give him anything he did not. Raá¹ÂachoḠtold her that the Gugalës were not missing him, but the gold and money his presence brought them. He told Gaá¹ gàto ask the Gugalës if they would accept his weight in gold, and proceeded to gobble all the lÃÂá¸Âus. The Gugalës agreed to this contract, but it was miraculously discovered that Gaá¹ gÃÂ's gold nose-ring weighed more Raá¹Âchoá¸Â, following which the Gugalës left. The mà «rti in DvÃÂrkàwas replaced miraculously. The á¸Âaá¹ ka PurÃÂá¹Âa or á¸Âaá¹ kapura-mÃÂhÃÂtmya was written at the end of the 17th century.
In 1625, Dakor was visited by HarirÃÂyjë, who reformed the sevàin the temple and ordered a group of à Ârëgoá¸Â-MevÃÂá¸Âàand KhedÃÂvÃÂl Brahmins to perform Vallabhite rituals at the temple. Ever since the visit whenever a Vallabhite Maharaj is present in the temple he becomes the acting sevak of the temple. Formerly the priests were Tapodhan Brahmins who used to attend to à Âiva Daá¹ÂkanÃÂth before the arrival of á¸ÂÃÂkorajë.
In 1732, PilÃÂjë GaekwÃÂḠwas assassinated in Dakor on the orders of Abhai Singh.
According to the á¸ÂÃÂkor-mÃÂhÃÂtmya, a Bania named Nandana built a temple for Raá¹Âchoá¸Âjë now known as Lakshmiji's temple. The image of Raá¹ÂachoḠwas moved by a descendant of Boá¸ÂÃÂá¹Âànamed Dëpasing. According to other accounts in 1734, Ratan Singh, vajir of the rÃÂja of MÃÂrwÃÂr Abhai Singh had Raá¹Âchoá¸Âjë installed in a new temple.
In 1740, Momin Khan, viceroy of Gujarat under the emperor Muhammad Shah, issued documents ordering MutasiddidÃÂr/ThÃÂá¹ÂdÃÂr of ṬhÃÂsràto not persecute the servants of Raá¹Âchoá¸Âjë nor appropriate their income from devotees, as well as assuring the servants of his protection.
The MirÃÂt-i-Ahmedi (compiled between 1750 and 1760) by Muhammad Ali Khan, the final Mughal Diwan of Gujarat, describes the legend of the removal of Raá¹ÂchoḠfrom Dwarka to á¸ÂÃÂkor by Boá¸ÂÃÂá¹ÂÃÂ.
The current temple was built by GopÃÂl TÃÂá¹Âbvekar, a Daká¹£iá¹Âë Brahmin from Poona, who was a devotee of Veá¹ kaá¹Âeà Âa. Construction began in AD 1769âÂÂ70 and Raá¹Âchoá¸Âjë was moved into the new temple by RÃÂmasing, descendant of Boá¸ÂÃÂá¹Âàin 1770âÂÂ71. TÃÂá¹Âbvekar also was granted Dakor by Peà ÂvàMÃÂdhava RÃÂà Â. According to tradition when the temple was built Raá¹ÂachoḠtold Laká¹£më that the original temple should remain inhabited by her, and that he would visit her every Ekadaà Âë and Friday in the form of BÃÂla-Kråṣá¹Âa. Accordingly, on those days the icon of GopÃÂla LÃÂl is taken on elephant or carriage from the (current) Nija temple to Laká¹£mëjë's temple. The current Nija temple also contains images of Laká¹£më, SatyabhÃÂmÃÂ, and GopÃÂla LÃÂl, the three of which are taken to the Sajjàtemple at night.
The à Âikhara of the temple can be seen to have some Islamic influence, likely due to the use hired Muslim craftsmen from Pune. On Parvatë Hill in Pune there exists an older temple built for the wife of MÃÂdhava RÃÂà Â, whose à Âikhara the á¸ÂÃÂkor temple imitated. Both of these à Âikharas bear resemblance to the parade coffins built for Muharram. The temple has 4 major à Âikharas which are capped in gold and 7 domes. The temple is surrounded by fort-like walls, and in the front are two towers which can be lit with lamps. The temple's maá¹Âá¸Âapa is on a raised platform twelve stairs up, such that the idol's ÃÂratë is visible from the highest ghÃÂá¹ on the Gomatë lake. The siá¹ÂhÃÂsana ("throne [of the idol]") is made out of gold and was donated by the GÃÂyakavÃÂá¸Âa dynasty worth 1.25 lakh rupees at the time. Recently, paintings of scenes from the BhÃÂgavata PurÃÂá¹Âa, MahÃÂbhÃÂrata, and RÃÂmÃÂyaá¹Âa were added to the walls of the central maá¹Âá¸Âapa. There also exists a Sanskrit inscription with the date of construction of the temple. Some 15 years after the construction of the current temple, a close imitation was built in the village of SÃÂrasànear Anand, Gujarat which is currently used as the samÃÂdhi of KuveradÃÂsa.
After the region came under the control of the Gaekwads of Baroda, the rulers patronized the temple and its sevaks.
During English rule the temple's ownership of the village of á¸ÂÃÂkor was confirmed. In the 1860s and 1870, Vaiá¹£á¹Âava MahÃÂrÃÂjas Bhaá¹Âá¹Âajë and Maá¹Âujë visited Dakor and served Raá¹ÂÃÂchoá¸ÂarÃÂy and patronized the temple. Much wealth was owned in the name of Raá¹Âachoá¸ÂarÃÂy and managed by the sevaks, including a banking firm called GopÃÂla LÃÂlajë and cows. The sevaks in that era played a keen interest in the maintenance of prosperity of the temple through gifts, as well as maintaining orthodox beliefs, such as when a police commissioner named Hykoop was assaulted for trying to enter the temple which would have been considered ritual defilement.
Hariraya's visit to á¸ÂÃÂkor altered the worship performed to Raá¹Âachoá¸ÂarÃÂya to conform to the elaborate style of sevà("service") proscribed by the Puá¹£á¹ÂimÃÂrga Vaiá¹£á¹Âava sect. The Puá¹£á¹ÂimÃÂrga was founded by Vallabha in the early 16th century and placed particular theological importance on the bÃÂla lëlÃÂs ("child exploits") of BÃÂla Kråṣá¹Âa of Gokula. The sect found a highly receptive audience in Gujarat (particularly the merchant class) where Viá¹£á¹Âu bhakti ("Viá¹£á¹Âu devotion") had already reached a peak in the 15th century under the influence of the BhÃÂgavata PurÃÂá¹Âa, GëtàGovinda, and poems of Narasiá¹Âha MahetÃÂ. Vallabha's son Viá¹Âá¹ÂhalanÃÂtha developed the sect's elaborate sevàrituals in which Kråṣá¹Âa idols would be offered sumptuous meals, kërtanas, art, and dress during 8 fixed darà Âana times. According to the CaurÃÂsë Baiá¹Âhaka, HarirÃÂya (a great-grandson of Viá¹Âá¹ÂhalanÃÂtha) was in á¸ÂÃÂkor when he received a dream from Raá¹Âachoá¸ÂarÃÂya who informed HarirÃÂya that he was currently in a hut and was being served by Brahmins (the Tapodhans) who bathed him, and ordered HarirÃÂya to install him in a proper temple. HarirÃÂya then enlisted Kheá¸ÂÃÂvÃÂḷ Brahmins to perform the bathing rites, and as compensation to the Tapodhans let them keep half the income the idol received. According to GiridharalÃÂlajëke 120 VacanÃÂmrÃÂ¥ta Raá¹Âachoá¸ÂarÃÂya was lying upside down on a wall before HarirÃÂya had the idol straightened and installed in a temple, and mentions the institution of à Ârëgauá¸Â-MevÃÂḠand Kheá¸ÂÃÂvÃÂḷ Brahmins alongside the Tapodhans. Despite the institution of Puá¹£á¹ÂimÃÂrga rites for the idol, the temple has continued to remain asectarian. The Tapodhan Brahmins are considered to be somewhat degraded because they consume the offerings devotees give to à Âiva. The à Ârëgauá¸Â-MevÃÂḠBrahmins were instead given the duties of food preparation and waving of the ÃÂratës and the Kheá¸ÂÃÂvÃÂḷs the duties of preparing and putting on Raá¹Âachoá¸ÂarÃÂya's clothes.
India census, Dakor had a population of 23,784. Males constitute 53% of the population and females 47%. Dakor has an average literacy rate of 76%, higher than the national average of 59.5%: male literacy is 82% and, female literacy is 69%. In Dakor, 10% of the population is under 6 years of age.