The Colored Sounds (. 1989) is the second book in a series of four Alexey Parygin author's editions.
History of creation
The series [Pesok (The Sand. 1989), Tsvetnye zvuki (The Colored Sounds. 1989), Zelenaia kniga (The Green Book. 1989), Moia mansarda (My Attic. 1990)] was created in 1989-1990 at the Nevsky-25 squat workshop (Kazan Cathedral House, Leningrad) on the basis of the artist's own poetic texts, the free-verse poems of 1987-1989. All books have similar format, stylistic unity of design, and are of limited edition.
The Colored Sounds (Cvetnye Zvuki) consist of five short poems and a parallel conventionally-shaped pictorial series printed on stencils (blue, black, scarlet and yellow). In those years, the artist was interested in the problem of synthesis of verbal and visual material in one artwork, so the texts were typed by hand on a typewriter using colored carbon paper (green, purple, red, black and yellow), thereby accentuating the individual elements of the poems. The title page header is made with cardboard letters cut out and tinted with colored gouache. All copies are stitched by hand (except #1). The cover is hand-dyed fabric with a laconic abstract composition. The Colored Soundsis a homage to the artist's book Sounds (') by Russian painter and art theorist Wassily Kandinsky.
Hardcover, no pagination (24 pages). CirculationâÂÂ5 numbered and signed copies. Size: 209 à152 à15 mm (cover); 209 à315 mm (book spread). All the work, from layout to circulation, was done by the author himself.
Collections
Exhibitions
Bibliography
Articles
- Pavlovsky A. S. Designing yourself: About the first books of Alexei Parygin // áñþÃÂýøú üðÃÂõÃÂøðûþò ôòõýðôÃÂðÃÂþù ýðÃÂÃÂýþ-ÿÃÂðúÃÂøÃÂõÃÂúþù úþýÃÂõÃÂõýÃÂøø ëâÃÂðÃÂóþÃÂþòÃÂúøõ ÃÂÃÂõýøà2022û / ed. A. K. Kononova. â St. Petersburg: BKG, 2023. â 360 p. â pp. 153âÂÂ160.
- Parygin A. B. ÃÂþø ÃÂðýýøõ ðòÃÂþÃÂÃÂúøõ úýøóø. â ÃÂõÃÂõÃÂñÃÂÃÂóÃÂúøõ øÃÂúÃÂÃÂÃÂÃÂòþòõôÃÂõÃÂúøõ ÃÂõÃÂÃÂðôø, òÃÂÿÃÂÃÂú 67, áÃÂñ: ÃÂÃÂá, 2021. â á. 232-241.
- Koshkina O. Yu. ÃÂÃÂþñõýýþÃÂÃÂø ÃÂ÷ÃÂúð óÃÂðÃÂøúø ÃÂûõúÃÂõàÃÂðÃÂÃÂóøýð â ÃÂõüøþÃÂøÃÂõÃÂúøù ðÃÂÿõúà// áñþÃÂýøú üðÃÂõÃÂøðûþò ôõÃÂÃÂÃÂþù ýðÃÂÃÂýþ-ÿÃÂðúÃÂøÃÂõÃÂúþù úþýÃÂõÃÂõýÃÂøø â "âÃÂðÃÂóþÃÂþòÃÂúøõ ÃÂÃÂõýøà2020". â áÃÂñ, 2021. â 304 ÃÂ. â á. 149-165.
- Pogarsky M. ÃÂýøóð ÃÂ
ÃÂôþöýøúð [ÃÂ
]. âþü I. âõþÃÂøà(264 ÃÂ.); âþü II. ÃÂÃÂÃÂþÃÂøà(180 ÃÂ.); âþü III. ÃÂÃÂðúÃÂøúð (290 ÃÂ). â ÃÂ.: âÃÂõÃÂóþûÃÂýþõ úþûõÃÂþ â 2021.
- Parygin A. B. ÃÂÃÂþ øÃÂúÃÂÃÂÃÂÃÂòþ (ò ÃÂøÃÂüõ ðòÃÂþñøþóÃÂðÃÂøø) // ÃÂõÃÂõÃÂñÃÂÃÂóÃÂúøõ øÃÂúÃÂÃÂÃÂÃÂòþòõôÃÂõÃÂúøõ ÃÂõÃÂÃÂðôø, òÃÂÿÃÂÃÂú 58, áÃÂñ: ÃÂÃÂá, 2020. â á. 223-252/
- Grigoryants El. Absorbing the Futurist heritage: Vasily Vlasov and Alexey Parygin / The Futurist Tradition in Contemporary Russian Artistsâ Books // International Yearbook of Futurism Studies / Special Issue on Russian Futurism. Ed. by Günter Berghaus. Berlin & Boston: Walter de Gruyter. Vol. 9âÂÂ2019, 520 p. Pp. 269âÂÂ296. .
- Parygin A. B. ÃÂýøóð ÃÂ
ÃÂôþöýøúð úðú ÃÂþÃÂüð øÃÂúÃÂÃÂÃÂÃÂòð // ëÃÂÃÂúÃÂÃÂÃÂÃÂòþ ÿõÃÂðÃÂýþù óÃÂðÃÂøúø: øÃÂÃÂþÃÂøàø ÃÂþòÃÂõüõýýþÃÂÃÂÃÂû. àÃÂñ. ý. ÃÂÃÂðÃÂõù ÿþ üðÃÂõÃÂøðûðü ýðÃÂÃÂýþù úþýÃÂõÃÂõýÃÂøø çõÃÂòõÃÂÃÂÃÂõ úð÷ðýÃÂúøõ øÃÂúÃÂÃÂÃÂÃÂòþòõôÃÂõÃÂúøõ ÃÂÃÂõýøà19-20 ýþÃÂñÃÂà2015. â ÃÂð÷ðýÃÂ: ÃÂÃÂÃÂààâ, 2015. â á. 75-78, øû.
- Grigoryants El. ÃÂÃÂúÃÂÃÂÃÂÃÂòþ úýøóø ø úýøóð ò øÃÂúÃÂÃÂÃÂÃÂòõ // ÃÂõÃÂòðàÃÂðûÃÂøùÃÂúðàñøõýýðûõ øÃÂúÃÂÃÂÃÂÃÂòð úýøóø: úðÃÂðûþó òÃÂÃÂÃÂðòúø. â áÃÂñ, 2014. â á. 6-9.
- Grigoryants El. ÃÂñÃÂð÷ ÃÂõúÃÂÃÂð ò ÃÂþòÃÂõüõýýþù ÿõÃÂõÃÂñÃÂÃÂóÃÂúþù ëúýøóõ ÃÂ
ÃÂôþöýøúðû ø livre d`artiste // ÃÂõÃÂðÃÂàø ÃÂûþòþ áðýúÃÂ-ÃÂõÃÂõÃÂñÃÂÃÂóð: áñþÃÂýøú ýðÃÂÃÂýÃÂÃÂ
ÃÂÃÂÃÂôþò. ç.1 â áÃÂñ., 2014.
- Grigoryants El. ëÃÂòÃÂþóÃÂðÃÂøÃÂõÃÂúðàúýøóðû ò ÃÂðüúðÃÂ
ýðÿÃÂðòûõýøàëArtists bookû (ëúýøóð ÃÂ
ÃÂôþöýøúðû // XX òõú. ÃÂòõ àþÃÂÃÂøøàâ þôýð úÃÂûÃÂÃÂÃÂÃÂð: áñþÃÂýøú ýðÃÂÃÂýÃÂÃÂ
ÃÂÃÂÃÂôþò ÿþ üðÃÂõÃÂøðûðü 14 áüøÃÂôøýÃÂúøÃÂ
ÃÂÃÂõýøù.àâ áÃÂñ, 2006.
- Grigoryants El. ÃÂøðûþóø úÃÂûÃÂÃÂÃÂàò ÃÂþòÃÂõüõýýþù ÿõÃÂõÃÂñÃÂÃÂóÃÂúþù úýøóõ ÃÂ
ÃÂôþöýøúð // ÃÂýøöýðàúÃÂûÃÂÃÂÃÂÃÂð ÃÂõÃÂõÃÂñÃÂÃÂóð: áñþÃÂýøú ýðÃÂÃÂýÃÂÃÂ
ÃÂÃÂÃÂôþò ÿþ üðÃÂõÃÂøðûðü 13 áüøÃÂôøýÃÂúøÃÂ
ÃÂÃÂõýøù. â áÃÂñ: áÃÂñÃÂÃÂÃÂ, 2004.
- ÃÂýøóø ø ÃÂÃÂøÃÂ
ø ø÷ ÃÂúòþÃÂð: ÃÂûõúÃÂõù ÃÂðÃÂÃÂóøý ø ôÃÂÃÂóøõ // ÃÂÃÂâ ÃÂøÃÂõÃÂðÃÂÃÂÃÂýÃÂù ÃÂðüø÷ôðÃÂ. ÃÂÃÂÿÃÂÃÂú 15. áÃÂñ, ðòóÃÂÃÂÃÂ-ýþÃÂñÃÂÃÂ, 2004. â á. 21-22.
- Grigoryants El. ëÃÂýøóð ÃÂ
ÃÂôþöýøúðû ò ÃÂþòÃÂõüõýýþü ÿõÃÂõÃÂñÃÂÃÂóÃÂúþü øÃÂúÃÂÃÂÃÂÃÂòõ // ÃÂúÃÂÃÂðûÃÂýÃÂõ ÿÃÂþñûõüàÃÂõþÃÂøø ø øÃÂÃÂþÃÂøø ñøñûøþÃÂøûÃÂÃÂÃÂòð: ÃÂðÃÂõÃÂøðûà8 üõöôÃÂýðÃÂþôýþù ýðÃÂÃÂýþù úþýÃÂõÃÂõýÃÂøø. â áÃÂñ., 2001 â á. 124âÂÂ128.
Exhibition catalogues
- Die Verwandlung. 25 Jahre russische Künstlerbücher 1989-2013. LS collection Van Abbemuseum Eindhoven (Exhibition catalogue). Auth. articles: Antje Theise, Klara Erdei, Diana Franssen. Eindhoven, 2013. 120 pp., col. ill. P. 16âÂÂ17.
- Museum "Artist's Book". (Exhibition catalogue. Erarta. Saint Petersburg. Auth. articles: M. Pogarsky, M. Karasik, E. Klimova, Yu. Samodurov. SPb. 2011. 200 pp., col. ill. P. 38.
References