China's New Art, Post-1989 was the first major collection of Chinese experimental art to exhibit outside the country. The exhibition took place between January 30 to February 28, 1993, as part of Hong Kong Arts Festival in Hong Kong City Hall and at Pao Galleries, Hong Kong Arts Centre. The touring exhibition travelled to Taipei, Melbourne, London, Vancouver, and various cities in the US from 1993 to 1997.
Considered a seminal snapshot of the Chinese avant-garde scene of the time, the exhibition served as an inspiration for the exhibition presented in 2017 at the Guggenheim Museum in New York.
The exhibition was curated by Chang Tsongzung Johnson, å¼µé Âä» and Li Xianting, æ ÂæÂ²åºÂ, with assistant curator Liao Wen. The Hong Kong exhibition curator was Oscar Ho Hing-Kay. The show included an "extraordinary roll-call" of artists, such as Wang Guangyi, Gu Wenda, Fang Lijun, and Zeng Fanzhi.
Curator Chang Tsongzung wrote, "The art of the Post-1989 period was significant as it characterised the spirit of the new decade, closing the chapter of the 1980s. It was important also for the fact that it presented to the world the first major coherent overview of China's experimental art scene, and has maintained a continuing dialogue ever since."
A catalog of the exhibition, edited by Valerie C. Doran and featuring a preface by Chang Tsongzung, offers an in-depth study of the artistic undercurrents and cultural sensibilities for the creation of experimental art in China during the late 1980s and the early 1990s, through contributions from a number of noted critics and art historians. The original publisher Hanart TZ Gallery has donated the publication rights of the book to Asia Art Archive.
The exhibition included works by Ah Xian, é¿ä»Â; CAI Jin, è¡é¦; Chen Haiyan, é³海çÂÂ; DING Fang, ä¸ÂæÂ¹; DING Yi, ä¸Âä¹Â; FANG Lijun, æÂ¹åÂÂéÂÂ; FENG Mengbo, 馮夢波; FU Zhongwang, å ä¸ÂæÂÂ; GENG Jianyi, è¿建ç¿Â; GU Dexin, é¡§å¾·æÂ°; GU Wenda, è°·æÂÂéÂÂ; GUAN Wei, éÂÂÃ¥ÂÂ; GUO Wei, éÂÂÃ¥ÂÂ; HE Sen, ä½Â森; HONG Hao, 洪浩; HUANG Yan, é»Â岩; LI Shan, æÂÂå±±; LIU Dahong, Ã¥ÂÂ大鴻; LIU Ming, Ã¥ÂÂé³´; LIU Wei, Ã¥ÂÂç Â; LIU Xiaodong, Ã¥ÂÂå°ÂæÂ±; LU Shengzhong, Ã¥ÂÂÃ¥ÂÂä¸Â; MAO Xuhui, æ¯ÂæÂÂè¼Â; NI Haifeng, åª海峰; PAN Dehai, æ½Âå¾·æµ·; QIU Shihua, é±ä¸Âè¯; QIU Zhijie, é±å¿ÂÃ¥ÂÂ; REN Jian, ä»»æÂ©; SHANG Yang, å°ÂæÂÂ; SHEN Qin, æ²Âå¤; SHEN Xiaotong, æ²Âå°Â彤; SONG Yonghong, å®Â永素; SUI Jianguo, éÂÂ建åÂÂ; TANG Song, Ã¥ÂÂå®Â; The New Measurement Group, æÂ°å»度å°ÂçµÂ; WANG Chuan, çÂÂå·Â; WANG Guangyi, çÂÂ廣義; WANG Huaxiang, çÂÂè¯祥; WANG Jianwei, 汪建åÂÂ; WANG Jinsong, çÂÂÃ¥ÂÂæÂ¾; WANG Youshen, çÂÂÃ¥ÂÂ身; WANG Ziwei, çÂÂÃ¥ÂÂè¡Â; WEI Guangqing, éÂÂå Âæ ¶; WU Shanzhuan, å³山å°Â; XIA Xiaowan, å¤Âå°Âè¬; XIAO Lu, èÂÂé¯; XIN Haizhou, 忻海洲; XU Anming, å¾Âå®ÂæÂÂ; XU Bing, å¾Âå°; YE Yongqing, èÂÂæ°¸éÂÂ; YU Youhan, ä½ÂÃ¥ÂÂæ¶µ; ZENG Fanzhi, æÂ¾æ¢µå¿Â; ZHANG Bo, 張波; ZHANG Peili, å¼µå¹åÂÂ; ZHANG Xiaogang, å¼µæÂÂÃ¥ÂÂ; ZHANG Yongjian, 張永è¦Â; ZHOU Chunya, å¨æÂ¥è½; and ZHOU Jirong, å¨åÂÂ榮