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Chicago 18

Chicago 18 is the fifteenth studio album, eighteenth overall by the American rock band Chicago, released on September 29, 1986. This album is the first without original vocalist Peter Cetera, and the first to feature Jason Scheff on bass and vocals.

Chicago 18 is the first studio album since the band’s inception to not feature an official guitarist. Studio guitarists such as Steve Lukather (Toto), Michael Landau, and Howard "Buzz" Feiten appear as session musicians for the album.

With Cetera having left the band in mid-1985 for a solo career, Chicago eventually hired Scheff to fill Cetera's position as vocalist and bassist in the fall of 1985. With Scheff and Bill Champlin, who had joined the band in 1981, the most prominent voices in Chicago now belonged to its newest recruits.

Chicago again hired producer David Foster to create a followup to Chicago 17. This would be the final album produced by Foster for the band, before the band would bring in other producers to create future albums.

The band recorded an updated, high-tech remake of their classic 25 or 6 to 4 (#48). This was the first single released from the album in August 1986. Originally, Does Anybody Really Know What Time It Is? was destined to be remade for this album instead, ultimately before the band decided that the 1970 hit fit better with what they were planning for this album. Scheff recalled when he asked Foster on the way he should sing the song, the latter responding with: "Just like Cetera."

Alongside the remade 25 or 6 to 4, three other singles were released from 18, Will You Still Love Me? (#3) in October 1986, If She Would Have Been Faithful… (#17) in March 1987, and Niagara Falls (#91) in June 1987.

The album also features a brief instrumental horn riff before Nothin’s Gonna Stop Us Now, called Free Flight, composed by trombonist James Pankow.

Despite the success of its predecessor, Chicago 18 ultimately only went gold, peaking at #35 on the Billboard Top 200 charts in March 1987.

Reception

Chicago 18 reached gold status and #35 in the US during a chart stay of 45 weeks. It did not chart in the UK.

Track listing

Notes:

  • A re-recorded version of "When Will the World Be Like Lovers?" (Robert Lamm/Tom Keane/David Foster) appears on Robert Lamm's 1995 solo album Life Is Good In My Neighborhood. The original recorded version from the Chicago 18 sessions also appears online.
  • "Free Flight", a 25-second unlisted instrumental composed by James Pankow, appears at the beginning of "Nothin's Gonna Stop Us Now".
  • David Boruff plays the saxophone solo on "Forever" instead of Walter Parazaider.

18 Tour

Between October 1986 and November 1987, the band would embark on an over-100 show tour across North America and Japan. During this tour, the band would fill in the previously vacant guitarist position with Bob Seger and the Silver Bullet Band guitarist Dawayne Bailey, a position that would be filled until 1994.

Personnel

Chicago

Additional musicians

  • David Foster – keyboards, additional arrangements, brass contributions
  • Tom Keane – keyboards, backing vocals
  • Michael Boddicker – synthesizer programming
  • David Boruff – synthesizer programming, tenor saxophone on "Forever"
  • Rhett Lawrence – synthesizer programming
  • Bo Tomlyn – synthesizer programming
  • Michael Landau – guitars
  • Howard "Buzz" Feiten – guitars
  • Steve Lukather – guitars
  • Jeremy Lubbock – string arrangements on "If She Would Have Been Faithful...", "Will You Still Love Me?", and "I Believe"
  • Jules Chaikin – string contractor
  • Gerald Vinci – concertmaster
  • Betty Joyce – kids choir contractor on "One More Day"
  • Jon Joyce – kids choir conductor on "One More Day"
  • Rebecca Clinger, Christopher Leach, Julie Leach, Myhanh Tran, Peter Wade, Jason Pasol, Brandon Roberts, Alitzah Wiener, Betty Joyce, Laurie Parazaider, Felicia Parazaider, Melody Wright and Bettina Bush – kids choir on "One More Day"

Production

  • Produced by David Foster
  • Engineered and Mixed by Humberto Gatica
  • Recorded at Chartmaker Studios (Malibu, CA) and Lion Share Recording Studio (Los Angeles, CA), assisted by Claudio Ordenes and Ray Pyle.
  • Horn Sessions recorded at Skyline Recording Company (Malibu, CA), assisted by Britt Bacon and David Garfield.
  • Mixed at Lion Share Recording Studio, assisted by Laura Livingston.
  • Originally mastered by George Marino at Sterling Sound (New York, NY).
  • CDD Pre-mastering by WCI Record Group
  • Art Direction – Jeffrey Kent Ayeroff
  • Design – Hugh Brown and Jeri McManus
  • Album Cover (Mosaic) – Maria Sarno
  • Photography – Hugh Brown
  • Stylist/Wardrobe – Kali Korn
  • Group Photography – Guy Webster

Charts

Certifications

References

Further reading