Charlie Gere

Charlie Gere is a British academic who is professor of media theory and history at The Lancaster Institute for the Contemporary Arts, The University of Lancaster and previously, director of research at the Institute for Cultural Research at The University of Lancaster. He is author of several books and articles on new media art, art and technology, continental philosophy and technology. His main research interest is in the cultural effects and meanings of technology and media, particularly in relation to post-conceptual art and philosophy.

Gere's PhD, ‘The Computer as an Irrational Cabinet’, was part practice-based and was from the Centre for Electronic Arts and the Department of Visual Culture, Middlesex University, and looked at the question of the ‘Virtual Museum’.

He was lecturer in digital art history in the School of History of Art, Film and Visual Media at Birkbeck College for seven years, where he ran the MA Digital Art History. He chairs the group Computers and the History of Art (CHArt) and is director of the AHRB-funded Computer Arts, Contexts, Histories etc. project at Birkbeck.

Publications

Books

• Digital Culture (Reaktion, 2002) ; 2nd edition (Reaktion, 2008)
• Art, Time and Technology: Histories of the Disappearing Body (Berg, 2005). This concerns artistic and theoretical responses to the increasing speed of technological development and operation, especially in terms of so-called ‘real-time’ digital technologies. It draws on the ideas of Jacques Derrida, Bernard Stiegler, Jean-François Lyotard and André Leroi-Gourhan, and looks at the work of Samuel Morse, Vincent van Gogh and Kasimir Malevich, among others.
• ' co-edited with Paul Brown, Catherine Mason and Nicholas Lambert (MIT Press, 2006)
• Special issue on Brains in Vats, Studies in History and Philosophy of Science Part C: Studies in History and Philosophy of Biological and Biomedical Sciences, co-edited with his sister Cathy Gere (2004)