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Cambridge Studies in the History of Art

Cambridge Studies in the History of Art is a book series of the history of art published by Cambridge University Press. The editors were Francis Haskell, a fellow of King's College, Cambridge, and Nicholas Penny of the National Gallery. The first volume in the series was El Greco and his patrons: Three major projects by Richard G. Mann, published in 1986, in which Mann investigated three of El Greco's six major projects and the patrons responsible for them.

Volumes

1980s

  • El Greco and his patrons: Three major projects, Richard G. Mann, 1986.
  • A bibliography of salon criticism in Second Empire Paris, Christopher Parsons & Martha Ward (compilers), 1986.
  • Giotto and the language of gesture, Moshe Barasch, 1987.
  • Power and display in the seventeenth century: The arts and their patrons in Modena and Ferrara, Janet Southorn, 1988.

1990s

  • Pavel Kuznetsov: His life and art, Peter Stupples, 1990.
  • A bibliography of salon criticism in Paris from the Ancien Regime to the restoration 1699-1827, Neil MacWilliam, 1991.
  • A bibliography of salon criticism in Paris from the July Monarchy to the Second Republic, 1831-1851, Neil MacWilliam, 1991.
  • Marcantonio Franceschini and the Liechtensteins: Prince Johann Adam Andreas and the decoration of the Liechtenstein Garden Palace at Rossau-Vienna, Dwight C. Miller, 1991.
  • The Oriental obsession: Islamic inspiration in British and American art and architecture 1500-1920, John Sweetman, 1991.
  • Pittoresco: Marco Boschini, his critics, and their critiques of painterly brushwork in seventheenth-and eighteenth-century Italy, Philip Lindsay Sohm, 1991.
  • Japonisme in western painting from Whistler to Matisse, Klaus Berger, translated by David Britt, 1992.
  • Palma Vecchio, Philip Rylands, 1992.
  • The letters of Lucien to Camille Pissarro, 1883-1903, Anne Thorold (editor), 1993.
  • Sir Richard Westmacott, sculptor, Marie Busco, 1994.
  • The art of Giovanni Antonio da Pordenone: Between dialect and language, Charles E. Cohen, 1996.

References