C. Antoinette Wood (Jul 1867 â 29 May 1942), was an early 20th century American author and playwright. She was known for being an author of Easy Parliamentary Procedure (3rd ed. published) and for being an author of ten plays which were produced and several of which were published. She published articles in the Boston Transcript and other magazines, winning two prizes for her stories. Wood also lectured on drama and dramatists.
She was born in Brownville, New York. Her parents were Catherine Vogt and Henry Binninger, a German immigrant to New York.
She attended Houghton Female Seminary, Clinton, N. Y. and Radcliffe College (1918-20). She was an alumna of Dr. George Pierce Baker's Workshop 47 at Harvard. in Cambridge, Mass.
She was a professional writer, lecturer, and dramatist from 1918 onward. Both a poet and a painter. She also saw 10 of her plays produced. She worked with George Pierce Baker's Harvard Workshop 47 at Boston, Massachusetts. Afterwards, she stayed and married husband, George E. Wood, whom she lived with in Brookline, Massachusetts until her death in 1942. An authority on parliamentary law, she was well known for her book, Easy Parliamentary Procedure A well-known playwright and a director of the "47 Workshop", she had to her credit a number of poems, several plays, and the book and lyrics of a musical play Why Not? produced in Boston.
Prominent in both the Boston branch of the National Society of American Pen Women (1933-36) and in the national organization, she was a vice president (1929-31) and parliamentarian (1934) of the New England Woman's Press Association. Her clubs were the Radcliffe College Club, Harvard Workshop 47 (past 1st vice president), the Women's Republican Club, the American Association of University Women, and the Manuscript Club of Boston (president, 2 years).
The Special Collections research team at Syracuse University has a finding aid for the C. Antoinette Wood Papers.
In 1925, her play, Buying Culture was selected for the Boston Theatre Guild plays for the 1925 season.
Ten years later, Buying Culture, one of her more performed plays, was still growing strong and a winner for final selection for one-act plays in 1935.
At the 1940 biennial convention of the National League of American Pen Women, she won first prize for her feature writing Martha Washington at Valley Forge. She was awarded a black onyx compact brought back from Paris by Miss George Elliston, of Cincinnati.
Also in 1940, she won for her play A Fighting Chance at a rally of U.S. Pen Women. The headline read Brookline Woman Wins First Prize. Her play was "played before an audience by an all-professional cast".