Buddhabhadra () (359-429 CE) was a Mahayana Buddhist meditation and Vinaya master. He is most known for his prolific translation efforts of Buddhist texts from Sanskrit into Chinese, and was responsible for the first Chinese translation of the (Flower Ornament Scripture) in the 5th century. In China, he was popularly known as the "Meditation Master from India" (TiÃÂnzhú chánshë 天竺禪師).
Buddhabhadra was a descendant of the à ÂÃÂkya clan born in NagarahÃÂra (Ch. NàhÃÂlìchéng é£åµå©åÂÂ, modern Jalal-ÃÂbÃÂd in Afghanistan), which was a famous center of Sarvastivada at the time. Buddhabhadra was a student of the Kashmiri meditation master Buddhasena, who was a Mahayanist and a Sarvastivadin. Buddhabhadra became a master of discipline (Vinaya) and meditation. He had a Chinese student, Jibin Zhiyan (350-427) who invited him to travel to China. On arriving in the Chinese Later Qin capital of Chang'an in 406âÂÂ8, Buddhabhadra befriended KumÃÂrajëva and took part in a public debate with him promoted by the Prince Hong which is recorded in Chinese sources. Buddhabhadra soon became famous as a meditation master. KumÃÂrajëvaâÂÂs group and Buddhabhadra's group eventually developed a rivalry which eventually led to Buddhabhadra being expelled from ChangâÂÂan (c. 410).
While staying at Mount Lu (廬山), Buddhabhadra translated some meditation manuals at the behest of the monk Huiyuan. These are the DharmatrÃÂtadhyÃÂna Sutra (Dámódúolúo chánjëng éÂÂ磨å¤Â羠禪ç¶Â, T618, possibly originally titled *YogÃÂcÃÂrabhà «mi Sà «tra) a "dhyana sutra", and the Sutra on the Ocean-Like SamÃÂdhi of the Visualization of the Buddha (GuÃÂnfó sÃÂnmèi hÃÂi jëng, è§Âä½Âä¸Âæ§海綠T 643), which focuses on Buddha contemplation.
After his stay at Mount Lu, Buddhabhadra and his disciples moved to Daochang Monastery (éÂÂ場寺) where Buddhabhadra continued teaching meditation, becoming known as a famous meditation master and teacher. Soon they were joined by Faxian. It is here that Buddhabhadra and his team or cohort (consisting of Chinese disciples such as Baoyun, Huiguan, Zhiyan) along with Faxian, translated most of the scriptures attributed to Buddhabhadra.
Buddhabhadra and his team translated the large 60 fascicle Avataá¹Âsaka-sà «tra (T 278). Buddhabhadra and his team also produced translations of the MahÃÂsÃÂá¹Âghika-vinaya (T 1425), the MahÃÂparinirvÃÂá¹Âa-sà «tra (T 376, translated together with Faxian), TathÃÂgatagarbha sà «tra (T 666) and the Larger SukhÃÂvatëvyà «ha (T 360).
Buddhabhadra's work was profoundly influential on later Chinese Buddhism. His meditation manuals and his disciples (Zhiyan, Huiguan, Baoyun, Xuangao, and Tanyao) influenced the practice of Chinese Buddhist meditation, and the popularity of the construction of grotto meditation cave-temples such as the Yungang Grottoes, Maijishan Grottoes and the Bingling Temple Grottoes. His translation of the Avataá¹Âsaka-sà «tra also influenced the development of the early Avataá¹Âsaka exegetical tradition which would in time develop into Huayan Buddhism, while his Larger SukhÃÂvatëvyà «ha likewise influenced the development of Pure Land Buddhism.
Buddhabhadra's protégé Xuangao (çÂÂé«Â, c. ?-444) was an important meditation master in the northern Liang of the Sixteen States era who focused on Buddha visualization practices and on the practice of the "Huayan Samadhi". This tradition of Xuangao (centered around the Binglingsi cave) has been seen by scholars like Imre Hamar as a precursor to the Huayan school proper. Furthermore, Hamar theorizes that Xuangao along with the master Daorong cooperated to compose the apocryphal sutras Brahma's Net Sà «tra (Fanwang Jing T1484) and the Sutra of the Original Acts that Adorn the Bodhisattva (Pusa yingluo benye jing T1485) which stand at the beginning of the development of the Huayan tradition.
The meditation texts of Buddhabhadra also influenced Chan Buddhism, and some of their methods were criticized by later sources like Shenhui and the authors of the Lidai fabao ji.