Broken Voices () is a 2025 thriller drama film written and directed by Ondà Âej ProvaznÃÂk. The primary impulse for the creation of the film was the sexual abuse scandal in the Bambini di Praga case.
The filmmakers state that the story is not a reconstruction of specific events, but rather a loose interpretation of them within a feature film
The film follows a twelve-year-old singer KarolÃÂna, who joins her sister in a prestigious girls' choir, where the strict guidance of demanding choirmaster Mácha begins to shape her aspirations.
The film, a Czech Republic and Slovak Republic co-production, premiered at 59th Karlovy Vary International Film Festival on 6 July 2025, where it was nominated for the Crystal Globe. The film was critically appreciated, and won Europa Cinemas Label Award as well as a Special Jury Mention for Kateà Âina Falbrová, for her performance as protagonist KarolÃÂna.
Broken Voices is produced by Endorfilm in association with Punkchart Films, Czech Television, Innogy, and Barrandov Studios, with financial backing from several film institutions, including Eurimages and the . For the role of KarolÃÂna, the protagonist, newcomer Falbrová was chosen through a nationwide casting search. The part demanded acting talent and professional level vocal ability, as all choral performances were recorded live during filming.
The film was shot in Brno, Prague, Mladá Boleslav, the Jizera and Orlické Mountains, and New York City. In New York it was filmed in locations at Manhattan subway, Central Park, and Hotel Bossert in Brooklyn. Multivision Creative, a New York-based production services company helped in re-creating 1990s in New York City.
The production brought together a diverse cast comprising both professional actresses and actual choir members to authentically recreate the dynamics of a real-life ensemble. The soundtrack combines classical choral music with contemporary touches from Czech producers Aid Kid and , whose subtle input highlights the filmâÂÂs psychological depth while preserving its more subdued scenes.
Broken Voices had its premiere at the 59th Karlovy Vary International Film Festival on 6 July 2025, where it competed for the Crystal Globe with eleven other feature films. The trailer was released on 1 July 2025, just before the start of the festival by the Czech distributor Cinemart.
The film was showcased in the 'In Full View: Crisis, Conflict, Conscience' section at the 2025 Cinéfest Sudbury International Film Festival on 15 September 2025. On 3 October 2025, it was presented in the Panorama section of the 2025 Vancouver International Film Festival and competed at the Warsaw Film Festival in the Competition 1-2 section on 16 October 2025.
On 10 November 2025, it was presented in the Visions of the East section of the Arras Film Festival.
The film was presented in the New Voices New Visions section of the 37th Palm Springs International Film Festival on 2 January 2026.
The film will be presented in the feature films section of the 41st Santa Barbara International Film Festival in February 2026.
The film was released in Czech theatres on 17 July 2025.
The film was shortlisted along with two other films as the Czech RepublicâÂÂs Oscar submission for 98th Academy Awards, but did not make the shortlist.
In June 2025, the international rights of the film were acquired by distribution & production company Salaud Morisset.
On Kinobox, which lists 15 professional reviews, the film obtained an average rating of 77%. Its AI summary of the opinions of the professional community says, "Critics have received the film very positively, appreciating its artistic value and sensitive approach to a difficult subject."
Chase Hutchinson reviewing the film at the Karlovy Vary International Film Festival for TheWrap compared it to Damien Chazelle's 2014 film Whiplash and Kitty Green's 2019 film The Assistant. Hutchinson found the film "somewhere between the two" films made on the similar theme. In his opinion Broken Voices "is delicate in some moments yet devastating in others, doing justice to a true story."
Marta Balaga writing in Variety felt that ProvaznÃÂk rather than "showing the trial or its aftermath" explored how such incidents begin, which led him to seek insights from other real-life cases of sexual harassment: as Vanessa SpringoraâÂÂs memoir Consent "(describing abuse she experienced from author Gabriel Matzneff, which started when she was 14)", 2020 American web documentary television miniseries about convicted sex offender Jeffrey Epstein, ' and 2019 documentary television film Leaving Neverland. Balaga concluded her review with an advice, "âÂÂIf anything happens to you, please tell someone.âÂÂ"
Veronica Orciari reviewing the film at the Karlovy Vary International Film Festival for Cineuropa opined, that "the strength of the film lie in its performances and visual storytelling." Praising the director, Orciari wrote, the film is delivered with remarkable subtlety and emotional grace, leaving a deep and lasting impact through its understated strength and genuine sentiment. Orciari concluded, "Broken Voices stands out as a profoundly moving and carefully crafted film."
Peter Debruge reviewing the film at the festival for Variety, noted that ProvaznÃÂkâÂÂs collaboration across departments contributed to a visually cohesive style. The use of earthy tones was intended to evoke the nostalgic warmth of 1980s family photographs, producing a look described as both intimate and enduring. He also observed that the film subtly reflects elements of Sofia CoppolaâÂÂs impressionistic aesthetic, particularly referencing her 2017 film The Beguiled, in which a lone man is surrounded by young women, contributing to a mood of quiet tension. In conclusion, Debruge appreciated the director writing, "heâÂÂs to be commended for finding a poignant note on which to wrap such a sensitive, understated treatment of real-world abuse".
Mirka SpáÃÂilová in iDNES.cz said, "Broken Voices is a film based primarily on the perspectives of young heroines, all of whom are excellent actors." Jordan Mintzer reviewing the film at the festival for The Hollywood Reporter described it as "A familiar tune performed with honesty and heart."
Jason Pirodsky at The Prague Reporter rated the film 3.5/5 stars and wrote that Broken Voices is a psychological drama that examines the concealed nature of abuse within relationships founded on trust. Pirodsky felt that the film avoids conventional narrative closure and instead emphasizes the revelation of a rarely addressed societal issue.
Wendy Ide in ScreenDaily praised the music, writing, "Music is central to the storytelling, with the choral performances impressive." Ide also commended the "production design and costume choices work". She liked the performance of Kateà Âina Falbrová, writing, "newcomer Falbrova is particularly impressive," and summed up the review with her opinion of the film as, "a sensitively structured psychological drama".
Damon Wise in Deadline praising the performances of Juraj Loj and Falbrová, writing that Loj gave "a masterclass in showing without telling," but in his opinion the film belonged to the newcomer Kateà Âina Falbrová, "whose finely tuned performance stems from a deep connection to both thought and sentiment."
The film was released in 165 theaters across the Czech Republic and in Slovakia in 58 theaters on 10 July 2025. It opened with in Czech Republic.
, it grossed a total of worldwide, including in the Czech Republic and 112,397 in Slovakia.
It was reported in July 2025 that when The Czech Film and Television Academy (ÃÂFTA) urged its members to vote for Broken Voices as the Czech RepublicâÂÂs Oscar submission from a shortlist of three films, it sparked criticism from some in the film industry who viewed the recommendation as "manipulative" and "undemocratic." The ÃÂFTA explained that its recommendation was based on the filmâÂÂs strong international appeal, media coverage, and Oscar campaign readiness.
Radovan SÃÂbrt, a senior ÃÂFTA member, publicly condemned Broken Voices in August 2025. SÃÂbrt, whose sister was abused in the real Bambini di Praga choir scandal depicted in the film, argued that the filmmakers failed to respect victimsâ consent and sensitivity, claiming the story and the main characterâÂÂs name closely mirror his sisterâÂÂs experience, causing renewed trauma. While ÃÂFTA acknowledged his concerns, it stated that it is not empowered to judge ethical disputes and must focus solely on artistic merit and awards potential. In response, the filmâÂÂs director and producer rejected the accusations, insisting Broken Voices is a fictional work inspired by broader patterns of abuse, created with legal and ethical care, and not based on specific individuals.