is a 1955 Japanese jidaigeki and drama film directed by Tomu Uchida.
The samurai Sakawa Kojà «rà  is on the road to Edo with his two servants Genta and Genpachi. Kojà «rà  is a kindly master, but his character totally changes when he consumes alcohol. On the road, they encounter many different people: a traveling singer with her child, a father taking his daughter Otane to be sold into prostitution, a pilgrim, a policeman searching for a notorious thief, and Tà Âzaburà Â, the suspicious man the officer has his eyes on. Genpachi, the spear carrier, is also followed by an orphaned boy named Jirà  who wants to be a samurai. When Kojà «rà  and Genpachi inadvertently capture the thiefâÂÂwho was the pilgrim in disguiseâÂÂKojà «rà  is disgusted when the authorities praise him and not his servant, even though Genpachi probably contributed more. He is also upset that he does not have the money to save Otane from being sold. In the end it is Tà Âzaburà  who saves Otane, using the money he saved to rescue his own daughter, but decided to use for Otane after finding out his daughter had died. Depressed, Kojà «rà  takes Genta out drinking, despite the protests of the latter. When a band of boisterous samurai complain of Kojà «rà  drinking with someone of lower birth, Kojà «rà  gets upset. The samurai pull their swords and kill both the servant and his master. Genpachi arrives too late, but in a fury kills all the samurai with the spear. Authorities do not charge him with a crime, so he heads home carrying the ashes of Kojà «rà  and Genta. When Jirà  tries to follow him, he shoos him off, telling him never to become a samurai.
Bloody Spear at Mount Fuji was screened in the Museum of Modern Art as part of a retrospective on Tomu Uchida in 2016.