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Bernard Rands

Bernard Rands (2 March 1934 – 4 March 2026) was a British and American contemporary classical composer and professor. He composed orchestral works and chamber music, often with a vocal element, and a series of Memos for solo instruments. His Canti del Sole for tenor and orchestra received the Pulitzer Prize for Music in 1984. He taught at Harvard University from 1988 to 2005.

Life and career

Rands was born on 2 March 1934. He studied music and English literature at the University of Wales, Bangor, and composition with Pierre Boulez and Bruno Maderna at the Darmstädter Ferienkurse, and with Luigi Dallapiccola and Luciano Berio in Milan.

Rands held residencies at Princeton University, the University of Illinois, and the University of York before emigrating to the United States in 1975; he became a U.S. citizen in 1983. In 1984, Rands's Canti del Sole, premiered by tenor Paul Sperry and the New York Philharmonic conducted by Zubin Mehta, won the Pulitzer Prize for Music. He taught at the University of California, San Diego, the Juilliard School, Yale University, and Boston University. From 1988 to 2005 he taught at Harvard University, where he was Walter Bigelow Rosen Professor of Music.

Rands received many awards for his work, and was elected and inducted into The American Academy of Arts and Letters in 2004. From 1989 to 1995 he was composer-in-residence with the Philadelphia Orchestra. Rands's music is widely recorded. The recording of his Canti D'Amor by the men's vocal ensemble Chanticleer won a Grammy Award in 2000. Rands was married to American composer Augusta Read Thomas.

Rands died in Chicago on 4 March 2026.

Works

Rands's music was published by Schott. The publisher maintains works and their performances on its website.

Opera

Orchestral

Chamber

Vocal

  • Ballad 1 (1970), for mezzo-soprano solo & ensemble
  • :written for SONOR ensemble, a group formed by Rands. Text by Gilbert Sorrentino.
  • Ballad 2 (1970), for female voice & piano
  • :commissioned by Jane Manning
  • Metalepsis 2 (1971), for mezzo-soprano solo, small choir & chamber orchestra
  • :commissioned by the London Sinfonietta, who gave the première in 1972 with soprano Cathy Berberian, conducted by Luciano Berio at the English Bach Festival
  • Ballad 3 (1973), for soprano & tape (plus bell)
  • Wildtrack 2 (1973), for soprano solo & orchestra
  • Canti Lunatici (1980), for soprano & ensemble/orchestra
  • déjà 2 (1980), for female voice solo & ensemble
  • Canti del Sole (1984), for tenor solo & ensemble/orchestra
  • Canti dell'Eclisse (1992), for bass solo & ensemble/orchestra
  • Walcott Songs (2004), for mezzo-soprano & cello
  • :song-cycle to texts by Derek Walcott, commissioned by the Tanglewood Summer Music Festival; premièred in the Seiji Ozawa Hall in January 2005 by Abigail Fischer (mezzo-soprano) and Norman Fischer (cello)
  • ...now again... (2006), for mezzo-soprano & ensemble
  • :commissioned by Network for New Music, and premièred by that ensemble in November 2006 with mezzos-soprano Janice Felty

Choral

Solo instrumental

  • Tre Espressione (1960), for piano
  • Formants 1 – Les Gestes (1965), for harp
  • Memo 1 (1971), for contrabass
  • :commissioned by Barry Guy; premièred at the English Bach Festival, Oxford in 1972
  • Memo 2 (1973), for trombone
  • Memo 3 (1989), for cello
  • Memo 4 (1997), for flute
  • :commissioned by Ekkehart Trenkner for Judith Pierce, who gave the work's première in 1997
  • Memo 5 (1975), for piano
  • Memo 6 (1999), for alto saxophone
  • Memo 7 (2000), for female voice
  • Memo 8 (2000), for oboe
  • HBDZ (2001), for piano
  • Preludes (2007), for piano
  • Three Piano Pieces (2010)

Music theatre

  • Ballad 2 (1970), for female voice & piano
  • :commissioned by Jane Manning
  • Ballad 3 (1973), for soprano & tape (plus bell)
  • Memo 2B (1980), for trombone and female mime
  • Memo 2D (1980), for trombone, string quartet and female mime

Educational

  • Sound Patterns 1 (1967), for voices & hands
  • Sound Patterns 2 (1967), for voices, percussion and miscellaneous instruments
  • Per Esempio (1969), for youth orchestra
  • Sound Patterns 3 (1969), for voices (project)
  • Sound Patterns 4 (1969), for miscellaneous instrumental groups (graphic score)
  • Agenda (1970), for youth orchestra

Awards

In 2014 Rands was inducted to The Lincoln Academy of Illinois as a Laureate of the Arts and was awarded the Order of Lincoln (the state's highest honor) by the governor of Illinois.

References

Sources

  • Kennedy, Michael and Kennedy, Joyce Bourne, eds. (2006). "Rands, Bernard". The Oxford Dictionary of Music (2nd rev. ed.). Oxford: Oxford University Press. . .

External links

Listening

  • two works by the composer