Baby Face Killa is a mixtape by American rapper Freddie Gibbs and DJ and record producer DJ Drama. It was released on September 25, 2012. It is the first installment of the Gangsta Grillz series featuring Gibbs. The mixtape was announced shortly after the release of the previous street album Cold Day In Hell. The mixtape features guest appearances from Pharrell Williams, Dana Williams, Z-Ro, Young Jeezy, Slick Pulla, Ea$y Money, YG, Dom Kennedy, SpaceGhostPurrp, Krayzie Bone, Jadakiss, Jay Rock, Wayne Blazed, Curren$y, Problem, G-Wiz, D-Edge, Hit Skrewface and Kirko Bangz.
The second track "Still Livin'" was featured in the video game Grand Theft Auto V.
The streaming edition removed the DJ tags by DJ Drama and adds two additional songs "Breaking Bad" and "Fuck Them Niggaz" which are replacing songs "The Diet" and "Every City" which are left out of the commercial release of the mixtape.
Baby Face Killa received positive reviews from critics. Michael Madden wrote: "Because he typically drops just one tape a year, Gibbs canâÂÂt much afford to jump on anything but crisp, well-mastered beats. Despite its biggest producers being just Statik Selektah and âÂÂRack CityâÂÂâÂÂs DJ Mustard, BFK fulfills any and all requirements in this respect. âÂÂKush CloudâÂÂ, for instance, is airy and luxuriant â it could have âÂÂ& Orange Juiceâ in the middle of its title â while âÂÂSeventeenâ is built around rich samples of âÂÂIt Was a Very Good YearâÂÂ." in his review for Consequence.
Jonah Bromwich of Pichfork commented that "That's what you're going to get from Freddie Gibbs. There's no excess; the fat's all stripped away and any kind of celebration is a form of catharsis, that beer that you need after a long day after work instead of a gratuitous 10 bottles of Ace of Spades."
David Amidon said that "For the most part, Baby Face Killa is Gibbsâ unabashed assault on car stereos, full of sleek riding music even when he reaches into his darker tendencies like âÂÂStay DownâÂÂ, which reminisces on his lesser days in Gary, Indiana. I doubt it proves to be a grower like his last drop was, but itâÂÂs easily the most accessible project heâÂÂs ever put out there and could turn a lot of folks who were on the fence about his harder edges into fans." in his review of PopMatters.