also known as Tarà Âbà  (太éÂÂÃ¥ÂÂ), Atago Daigongen (æÂÂå®Â大権ç¾), Shà Âgun Jizà  (Ã¥ÂÂè»Âå°èµ) of Mount Atago is a Japanese kami and tengu believed to be the local avatar (Gongen) of Buddhist bodhisattva Jizà  and Shinto goddess Izanami. He is mounted on a white horse and carries a ringed staff and desire-cancelling jewel. The cult originated in Shugendà  practices on Mount Atago in Kyoto, and Atago Gongen is worshiped as a protector against fire and a god of war and victory by Samurai. There are some nine hundred Atago Shrines around Japan.
Mount Atago was said to be infested by tengu during the reign of Emperor Monmu. One of the tengu was a particularly powerful one named Tarà Âbà Â. The sages En no Gyà Âja and Taichà  were charged with clearing the mountain. When Tarà Âbà  surrendered to them, he became protector of the mountain. He is often seen as the guardian or an avatar of Jizà  as a result.
Atago Gongen is the name of a deity resulting from a fusion of Shinto and Buddhist beliefs, specifically combining the worship in Mt. Atago and Shugendà  beliefs. The faith in Jizà  Bodhisattva is considered to be the original Buddhist belief with Izanami as its patron deity.
The Hakuun-ji Temple located in Mt. Atago reached its peak prosperity during the Middle Ages, with its main shrine enshrining Izanami and Katsugun Jizà Â, the Okuin shrine enshrining Taroubou, and the Tendai shrine enshrining Katsuji-incho Tokobo, Kyogakuin Ozaki-bo, and Daizen.
Mt. Atago is considered to be one of the seven âÂÂhigh mountainsâ of the Shugendà  faith, and Mt. Atago flourished as an ascetic dojo to the extent that it is said to be worth âÂÂseven times more than Ise, three times more than the Kumano Kodà Â, and as valuable as the moon is to Mt. AtagoâÂÂ. As the combined faith in Mt. Atago and Shugendà  became more and more popular in the Edo period, more shrines dedicated to the faith were built all over Japan.
Due to the influence of Onmyodo and the faith in the Kunado-no-Kami (local Japanese gods connected to protection from natural disasters and malicious spirits), Mt. Atago itself came to be considered a guardian deity in the northwest regions of Kyoto. Mt. Atago was worshipped as a deity of wildfire and theft protection, but this belief later merged with the principles of the Shogun Jizà  belief, resulting in the creation of the deity Atago Gongen.
At the time, faith in the Tengà « was popular as well, resulting in Atago Gongen being worshipped by some as âÂÂTaroubouâÂÂ, according to sources such as Fujiwara no YorinagaâÂÂs diary, the Daiki. Taroubou is said in some sources to have been related to Shinto deities the likes of Amaterasu, Tsukuyomi, Hiruko, and Susanoo.
The faith in Atago Gongen began to diminish due to the revision and removal of Buddhist beliefs and ideology via the Ordinance for the Separation of Shinto and Buddhism in 1868. In the 1870s, many temples and shrines dedicated to Atago Gongen were forcibly shut down or abandoned. Nowadays, the shrines that were once dedicated to Atago Gongen now enshrine deities of the Shinto faith.
Like Sà Âjà Âbà Â, these tengu are daitengu, chieftains of a tengu mountain, and appear in different forms of Japanese art. Kimbrough says that in one version of the Heike monogatari, the tengu Tarà Âbà  is described as the greatest tengu in Japan. In the text Gempei Seisuiki, Tarà Âbà  is described as the first of the great tengu.
Says the Flammarion Iconographic Guide: âÂÂIn certain cases, Jizà  may also assume a syncretic aspect, and be represented as a warrior when assimilated with Atago Gongen, a Kami considered to be a temporary incarnation of Jizà Â. This kami (Shintà  deity), protector from flame and fire, mainly venerated on Mount Atago in Kyoto Prefecture, has also been identified as being Kagutsuchi or even Susanoo-no-Mikoto and sometimes even as Izanagi. He is represented with the features of a Chinese warrior on horseback, carrying a pilgrimâÂÂs staff and a cintamani. Popular imagery sometimes also symbolizes him by statuettes of a horse carrying a cintamani on its back. The support animal or messenger of this Atago Gongen is the wild boar, the symbol of courage, strength, and perseverance. Many legends relate that warriors in difficulty have been rescued by wild boars or Atago Jizà  æÂÂå®Âå°èµ, which charged at their enemies, putting them to flight.âÂÂ
Nakamiya-jinja Shrine was built by the lord of Kinugasa Castle, and it used to stand on Nokubo area which was between Mt. Takao and Senko-ji temple, so it was called âÂÂNaka no Miyaâ (Naka means between in Japanese.) Later, it was crashed because of the landslide and it lost a large land. The temporary shrine was built on the small land which was left from the landslide, but it was renewed in 1888, and a torii (gateway to a Shinto shrine) was added in 1928. It is told that the deity of the shrine is Izanami-no-Mikoto, and from ancient times, it was called Atago Gongen. Originally, Wake no Kiyomaro transferred the divided deity from Kyoto. In Kyoto, Goo-jinja Shrine enshrined Kiyomaro and there was a tradition that Ujiko worshiped Goo-jinja Shrine, received the charm, and brought it back to Nakamiya-jinja Shrine.
The philosopher Hayashi Razan lists the greatest of these daitengu as Sà Âjà Âbà  of Kurama, Tarà Âbà  of Atago, and Jirà Âbà  of Hira. The demons of Kurama and Atago are among the most famous tengu.