Antonio de la Mora y Hernández (12 March 1884 â 9 May 1926 Kansas City, Missouri) was a Mexican-born virtuoso cornetist, composer, music educator, publisher, and influential military band director who served as Chief Musician (aka bandmaster) in elite Army bands of three countries:
In de la Mora's post-military career, he served as an educator and bandmaster of YMCAs and Shriners of several cities. In particular, he organized (i) the amateur military band at the Salt Lake City YMCA in 1913, (ii) the Kem Shrine and YMCA of Grand Forks, North Dakota, and (iii) the Hamasa Temple Shrine Band of Meridian, Mississippi.
De la Mora grew up in Tepic. He studied music at the National Conservatory of Music in Mexico City, completing in five years the regular eight years, graduating with distinction.
In 1908, De la Mora was with the 21st Infantry Band stationed at Fort Logan â near Denver. The 21st Infantry Band, 4 years earlier based at Fort Snelling, under the direction of Charles W. Graves (born about 1864 Kenton, Ohio), was one of seven military bands selected to perform at the Saint Louis World Fair of 1904.
February 4, 1908, he was promoted to sergeant. On March 21, 1909, he was appointed Acting Chief Musician. On May 5, 1909, he was appointed chief musician and left the service December 16, 1909, at that position. He re-enlisted that same day, December 16, 1909, in the 20th Infantry at Fort Douglas, Utah â just a few miles east of Salt Lake City. He was appointed principal musician, pending the discharge of then bandmaster.
Around 1910, while serving as vice head musician, he was with the 21st U.S. Infantry in the Philippines, on the island of Mindanáo at Ludlow Barracks. July 1, 1911, he was appointed chief musician.
While in the Philippines, De la Mora was on the "Sick List" of enlisted personnel: Admitted February 10, 1910, return to duty March 25, 1911, in Manilla. (note: When admitted, De La Mora was listed as being in the 20th Infantry)
September 4, 1911, de la Mora arrived in Honolulu from the Philippines aboard the U.S. Army Transport Sherman with his 19-piece military band. As head musician of the 20th Infantry Band, they performed in Hawaii as late as October 1911. He was discharged December 25, 1911.
De a Mora Organized an amateur military band at the Salt Lake City Y.M.C.A. in 1913.
Beginning towards the end of 1913, and throughout 1914, De la Mora and the 20th Infantry Band, with the 20th Regiment from Fort Douglas, was stationed at Camp Cotton, a sub-post of Fort Bliss in El Paso. The 20th Infantry Band was on patrol duty on the Mexican border.
Before the United States entered World War I, the Canadian Expeditionary Force recruited Americans to fill ranks of the 97th Battalion, one of five American Legion battalions that had greatly deteriorated. The other four battalions were the 212th, the 211th, the 213th, and the 237th.
De la Mora resided in Meridian, Mississippi, for a few months during 1918. While there, he published his book, Cornetist Alphabet, and organized the Hamasa Temple Shrine Band. He remained in Meridian until about late-November-early-December when he married Susan May Stennis (maiden; 1899âÂÂ1973) in Meridian and, with her, moved to New Orleans for his work as a musician. When he signed his World War I Draft Registration on September 12, 1818, he provided the name of his wife, Amanda de la Mora, and his address at 817 24th Avenue (between 8th and 9th Streets), Meridian, Mississippi, an address that corresponds to the site upon which the Hamasa Temple was built in 1924. The Meridian Shriners contracted the Saenger organization to design, build, and operate the auditorium in their building. The Saenger organization was the same organization that designed, built, owned, and operated the Strand in New Orleans, where de la Mora began working in 1918.
Beginning late-November-early-December 1918, De la Mora worked as a musician in New Orleans in the Concert Orchestra under the direction of Don Philippini (né Salvatore Philippini; 1870âÂÂ1950) of the recently built Strand Theater. The Strand, no longer in existence, was at the corner of Baronne and Gravier Streets for about 53 years.
On February 9, 1919, de la Mora seemingly tried to commit suicide by leaping eighteen feet to the street from the second-story window of the newspaper editorial room of the New Orleans States building at 619 Canal Street. News accounts attributed de la Mora's distress to a prior nervous breakdown from overwork and marital unhappiness relating to disagreements with in-laws. De la Mora, about two months earlier, had married Susan May Stennis (maiden; 1899âÂÂ1973) in Meridian, Mississippi. Soon after marrying, they moved to New Orleans and resided at 611 St. Charles Street (at Lafayette Square).
In 1925, Antonio de la Mora was living in Wichita, Kansas, at 1665 North Waco Avenue with his wife, Martha, and two sons, Antonio, Jr., and Adolphus. He was working there as a music teacher. He resided with his family at 2239 North Laurel Street.
De la Mora moved to Kansas City, Missouri, around December 1925 to organize the Mexican Band of the Unión Cultural Mexicana (U.C.M.) in Kansas City's Westside at 1017 West 24th Street. He trained a 45-piece band composed mostly of youth from the community. De la Mora, with Martha (1903âÂÂ1983), Antonio, Jr. (1922âÂÂ1985), and Adolfo (born 1934) â his wife and two sons â resided at 2322 Monitor Place. The Mexican communities in Wichita and Kansas City were viewed somewhat as colonies for Mexican exiles.
Antonio de la Mora died May 9, 1926. Dr. Nicolás Jaime (1885âÂÂ1965) (surname pronounced "high-me" with the accent evenly divided) was the attending physician who signed the death certificate. He and Dr. Othoniel de Rivas y Jaén (1890âÂÂ1973), a Granada, Nicaragua-born chiropractor, held a funeral vigil for Antonio de la Mora May 22, 1926, at the U.C.M.
Dr. Jaime, a co-founder of the U.C.M., days earlier had signed a US$2,500 bail bond () for Jorge Prieto Laurens (1895âÂÂ1990), who was elected and served as interim governor of San Luis Potosàin 1923 for one year, was indicted in San Antonio and arrested on February 28, 1926, in Kansas City, on a charge by the Mexican government that he had, as part of the Huerta faction, participated in a plot to overthrow (another revolution) the then present Mexican regime, a government for which, diplomatically, the United States was on friendly terms. Dr. Jaime, himself, was a 1915 Mexican exile. But as a community member, in 1958, he was named "Man of the Year" by the Kansas City Academy of General Practice.
In 1927, after the death of Antonio de la Mora, the "Antonio de la Mora Band," directed by Alfredo Antonio González Flores (1904âÂÂ1983), continued to perform in Kansas City. González, who had arrived early 1904 in Kansas City to assist with teaching music in the Mexican community, went on to become an influential music educator at Universidad Juárez del Estado de Durango.
Carl Fischer <ol type="1" start="1"> <li> "President Wilson's March," 4to<br /> é 22 April 1913<br /> 2nd copy 26 April 1913<br /> Antonio de la Mora, Fort Douglas, Utah<br /> Class E (musical composition) 309389<br /> <br /> Note: President Woodrow Wilson became U.S. President March 4, 1913</li></ol>
Antonio de la Mora <ol type="1" start="2"> <li> "Salt Lake Beauties," waltz<br /> é 21 March 1913<br /> 2nd copy 25 March 1913<br /> Antonio de la Mora, Fort Douglas, Utah<br /> Class E (musical composition) 308857<br /> </li>
<li> "Captain Tiffany," march, 4to<br /> é 11 May 1909<br /> A. de la Mora, Fort Logan, Colorado<br /> Class C (musical composition) 207274<br /> Dedicated to (then Captain) George Stanton Tiffany, 21st Infantry (1876âÂÂ1938)</li>
<li> "Colonel Williams," march, 4to<br /> é 7 October 1908<br /> Antonio de la Mora, Fort Logan, Colorado<br /> Class C (musical composition) 190912<br /> Dedicated to de la Mora's then commanding officer in the 20th Infantry, Colonel Charles Andrew Williams (1852âÂÂ1926), 21st Infantry<br /> Fort Logan, Colorado</li></ol>
Other <ol type="1" start="5"> <li> "The Twentieth United States Infantry," march (1913)</li> <li> "Carnival of Mérida" ("Carnaval de Mérida") a phantasy</li> <li> "Gretchen," dance intermezzo</li> <li> "Lolita," mazurka</li> <li> "Ducat March" (1911)<br /> Dedicated to Lieutenant Colonel Arthur Charles Ducat, Jr. (1856âÂÂ1913), of the 20th Infantry, son of Civil War Union Officer Arthur Charles Ducat, Sr.</li> <li> "Serenade, 'To a Violet'" (1912) <li> "Remembrance of Mexico," Mexican dance (1912)</li></ol>
Antonio de la Mora probably married five times and had six children.