Alexandra Kremer-Khomassouridze is a French photographer and collector of historical photographs of Georgian and Azerbaijani descent. She is known for her work in art and conceptual photography, often exploring themes such as identity, cultural expression, and the relationship between reality and illusion.
She has exhibited her work internationally and collaborated with musicians, festivals, and media outlets across Europe and the Middle East. Kremer-Khomassouridze primarily works in black and white, and her photographs are produced in limited editions. Since 2024, she has been represented by the Paris- and Geneva-based Galerie Esther Woerdehoff.
Alexandra Kremer-Khomassouridze was born in USSR, and raised in Georgia and Azerbaijan in a family of musicians. Her grandfather was Mahmud ÃÂli oÃÂlu Abdullayev, a Soviet and Azerbaijani oil engineer. She graduated from the Azerbaijan State Academy of Fine Arts and moved to Paris in 1989 where she earned a degree in gemology from the Institut National de Gemmologie. Continuing her studies in art and photography, she attended EFET and the IRIS Photo School, and later obtained a Master's degree in photojournalism from the Centre de Formation et de Perfectionnement des Journalistes (CFPJ), where she studied under war photographer Yan Morvan. She worked in a theater in Baku after graduating from the Azerbaijan State Academy of Fine Arts.
Between 1997 and 1999, she worked as a photojournalist with the Paris-based Gamma Photo Agency,and from 2000 onward collaborated with Eyedea Photo Agency. From 1994 to 2009, she photographed internationally renowned classical musicians such as Mstislav Rostropovich, Yuri Bashmet, and Gidon Kremer for a collection that was exhibited in 2009.
Her work has been featured in international exhibitions and publications. She is the author of the photography book Live Music, which includes backstage and rehearsal portraits of classical musicians such as Mstislav Rostropovich, Daniel Barenboim, Sofia Gubaidulina, Gidon Kremer, Martha Argerich, and Arvo Pärt.
Between 1998 and 2002, she also worked as a curator and project coordinator for the Russian editions of French magazines such as Gala and Paris Match. From 2016 to 2019, she focused on backstage and onstage theatre photography in collaboration with Lithuanian director Oskaras Korà ¡unovas, including work presented at the Avignon Festival.
Her notable projects include:
Her photographs are produced in limited editions of three prints per image, each manually processed by the artist. She has also contributed photography for classical music labels such as EMI (UK), Teldec (Germany), and Nonesuch (USA).
Her work has appeared in publications including Paris Match, Le Monde, Le Figaro, Clásica, World of Azerbaijan, Photo, Hermitage, and Diapason.
Kremer-Khomassouridze has exhibited her work internationally at major art fairs, festivals, and cultural institutions. Selected exhibitions include:
Kremer-Khomassouridze is the author of the photobook "Life Music" (Fotoloft Gallery, 2008, ISBN 978-5-91435-002-1), featuring backstage portraits of classical musicians. The book is available at the Tschann Library in Paris.
In 2019, she published a children's photobook in Russian titled *ÃÂÃÂþ ÃÂýýÃÂÃÂúàø ÃÂõôð ÃÂþÃÂþ÷ð* (ISBN 978-5-904065-28-7).
Her photographic archive includes portraits of internationally recognized classical musicians such as Mstislav Rostropovich, Yuri Bashmet, Daniel Barenboim, Gidon Kremer, Vladimir Spivakov, Valery Gergiev, YoâÂÂYo Ma, and Arvo Pärt.
Since 2009, distribution of her music-related photography has been managed by the Lebrecht Music & Arts Photo Library and, more recently, by Bridgeman Images.