is a Buddhist temple in Nara, Japan. Founded in the eighth century, its Kamakura-period Hondà  is a National Treasure.
The Shoku Nihongi of 797 places the origins of the temple in Hà Âki 11 (780), while the of 1139 ascribes it to the vows of Emperor Kà Ânin and Emperor Kammu and names its founder as , younger brother of Emperor Shà Âmu. The of 1441 dates its foundation instead to 776. Excavated Nara-period tiles corroborate an eighth-century foundation date. Like other major temples of the period, Akishino-dera had two pagodas, as well as a Kondà Â. According to the Legends, a fire in June 1135 destroyed most of the temple. Two hundred and fifty-five ofuda, dating from 1327 to 1524, cast light on later years.
The five by four bay National Treasure Hondà Â, with a raised platform, earthen floor, tiled hipped roof, and slightly narrower intercolumniation at each end, epitomises the Wayà  style. Built on the site of the former lecture hall, it is a Kamakura-period rebuild in somewhat archaizing style. Inside, a raised altar platform is backed by an internal wall that spans three bays. The Hondà  was dismantled for repair and reconstruction in 1899.
Statues designated Important Cultural Properties include a Yakushi Triad, (traditional identification), Taishakuten, and Jizà  Bosatsu, in the Hondà Â; in the Daigendà Â; Bonten, Kudatsu Bosatsu (traditional identification), and hollow dry-lacquer fragments, kept at Nara National Museum; Jizà  Bosatsu, kept at Kyoto National Museum; and Jà «ichimen Kannon, kept at Tokyo National Museum. The dry-lacquer heads of Gigeiten and Bonten, along with the heads of Kudatsu Bosatsu and Taishakuten, date from the Nara period and are joined to bodies of the Kamakura period; the hollow dry-lacquer fragments similarly date from the Nara period, while the images flanking the Yakushi, along with the two Jizà  and Jà «ichimen Kannon, are from the Heian period, Daigensui Myà Âà  is from the Kamakura period, and the Yakushi dates from the Muromachi period. Other treasures include a set of five standing ; a dating to Shà Âan 3 (1301) that has been designated a Prefectural Cultural Property; and a painting of Daigensui Myà Âà  dating from the Nanboku-chà  period and seven Muromachi-period fragments of ema with images of horses, designated Municipal Cultural Properties.