Affinage (Russian: ÃÂÃÂÃÂøýðö) is a Russian band founded in 2012 by songwriter and lead singer Mikhail Em Kalinin (Russian: ÃÂøàðøû "ÃÂü" ÃÂðûøýøý) and bass player Sergei Sergeich Shiliaev (Russian: áõÃÂóõù "áõÃÂóõøÃÂ" èøûÃÂõò) in the city of Saint Petersburg. The band plays songs in its own style of noir-chanson and takes its name from the process of purifying an impure metal (French: affinage).
Since its formation, the group released five studio albums, seven EPs, thirteen singles and one compilation. Affinage toured across Russia and Belarus, taken part in the popular Russian festivals (such as Nashestvie) and has songs on major music hit charts, and played on radio stations (e.g. Nashe Radio), without producers, labels or large sponsors.
Mikhail Kalinin and Sergei Shiliaev met in Vologda in 2007. Sasha Om and Aleksandr Koryukovets became friends in Vologda. In 2011, Shiliaev and Kalinin moved to Saint Petersburg, where they tried to create an "ordinary rock band". After several months of unsuccessful musician searches, they decided to concentrate on music as an acoustic duo. They originally planned to be called Ya i Mobius yedem v Shampan (Russian: ï ø ÃÂÃÂñøÃÂàõôõü ò èðüÿðýÃÂ), translated as I and Möbius are going to Champagne. The duo's first rehearsal was 13 March 2012. A few months later Kalinin and Shiliaev met with bayan player Aleksandr Koryukovets to form the trio Affinage.
Before the release of the debut mini-album the trio rehearsed and played live concerts. 21 September 2012 was the first performance of the group in the club "Baikonur" (Russian: "ÃÂðùúþýÃÂÃÂ") in Saint Petersburg.
In the fall of 2012, the trio met with trombonist Aleksandr Sasha Om Yevdokimov, who joined the band.
Aleksandr Koryukovets and Sasha Om have musical educations and are professional musicians. Em and Sergeich haven't received a musical education (Em is a journalist, and Sergeich is a culturologist), however they studied music on their own.
The band's range includes light indie, pop-rock, and dark folk, but it keeps the face and its unique sound, considered an original and one of the most authentic in Russia. Layered powerful bayan, ornate bass lines, melodic trombone, acoustic guitar, vocals ranging from a gentle half-whisper to an emotional tear, general polyphony â sometimes the band sounds like a full-fledged orchestra.
Since the beginning of Affinage, its members have worked in the synthetic style of noir-chanson, which contains references to many genres of pop and rock music of the twentieth century including classical urban song (both Russian and Western European), 90's alternative rock, Russian rock tradition, Russian folklore, western dark folk and modern indie. In a 2018 interview, bassist Sergei Shiliaev said that the newly defined term noir-chanson was an attempt to separate from existing labels, and to have their own face musically and formally. At the same time music observers say that the band plays "acoustic rock with the addition of free folk, theatrical drama and the sophistication of rebellious arrangements, which is more characteristic of sparkling free jazz". According to Russian music critics, "if the rock was not born in England, but in Russia, it would probably soon become like Affinage plays it".
The musician, writer and member of Kino, Aleksei Rybin, used AffinageâÂÂs songs "Nravitsya" ("I like", Russian: "ÃÂÃÂðòøÃÂÃÂÃÂ"), "Sodom i Gomorra" ("Sodom and Gomorrah", Russian: "áþôþü ø ÃÂþüþÃÂÃÂð") and "Sasha" (Russian: "áðÃÂð") as a soundtrack for his debut full-length feature film "Skoro vso konchitsya" ("It will all be over soon", Russian: "áúþÃÂþ òÃÂàúþýÃÂøÃÂÃÂÃÂ"). The film was in the main competition of the festival Kinotavr, and was awarded with the prize of the Rossiyskaya Gazeta in the online festival Double dv@. Rybin said that the songs used in the film are not random, but have a meaning and are perceived as "internal monologues of characters". The Affinage compositions attracted attention, according to Rybin, also because they don't use a rhythm section. Film critic Elena Stishova noted that "passages under the soundtrack cause associations with Balabanov's films".