Aerodrom () is a Croatian and Yugoslav rock band formed in Zagreb in 1978. Formed and led by guitarist, vocalist and principal songwriter Jurica "Jura" PaÃÂen, Aerodrom was a popular act of the Yugoslav rock scene.
The group was formed by guitarist Jurica PaÃÂen, who had already gained prominence as a member of Grupa 220 and Parni Valjak. The first lineup featured, beside PaÃÂen, vocalist Zlatan à ½ivkoviÃÂ, bass guitarist Remo KrstanoviàCartagine, drummer Paolo Sfeci and keyboardist Mladen Krajnik. Initially, the band performed progressive rock, their 1979 debut Kad misli mi vrludaju bringing them attention of the public and the media. With the 1981 album Tango Bango, the group turned towards simpler, new wave-influenced sound, scoring several hits. After the album release, à ½ivkoviàleft the band and the vocal duties were taken over by PaÃÂen. Aerodrom's third studio album ObiÃÂne ljubavne pjesme, released in 1983, was their biggest commercial success. It was followed by two more successful pop rock-oriented albums, the last one recorded in the lineup featuring PaÃÂen on guitar and vocals, Cartagine on bass guitar and à ½ivkoviÃÂâÂÂwho had returned to the band in 1986âÂÂon vocals and drums. The group disbanded in 1987, PaÃÂen continuing his career as guitarist in the highly popular band Azra. In 1993, he formed his PaÃÂen Band, releasing three albums with the group, before reforming Aerodrom in 2000. The group has released four studio albums since, with the 2007 album Rock @ Roll being the band's first release to feature PaÃÂen as the sole remaining original member. Since its release the group has been performing under the name Jurica PaÃÂen & Aerodrom.
Aerodrom leader Jurica "Jura" PaÃÂen started his career in 1970, at the age of 15, as the guitarist for Zoo Band, later performing with the bands Spectrum and Hobo. In 1972, he joined popular band Grupa 220, at the time comprising vocalist Drago Mlinarec, guitarist Husein HasanefendiÃÂ "Hus", drummer Ivan "Piko" StanÃÂiÃÂ, and bass guitarist Nenad Zubak. With the group, PaÃÂen recorded their second and last studio album Slike (Images), released in 1975. After the group disbanded during the same year, PaÃÂen and HasanefendiÃÂ formed Parni Valjak with vocalist Aki Rahimovski, bass guitarist Zlatko MiksiÃÂ "Fuma" and drummer SreÃÂko Antonioli. With Parni Valjak, PaÃÂen recorded two studio albums, the band's 1976 debut DoÃÂite na show! (Come to the Show!) and the 1977 album Glavom kroz zid (Head Against the Wall). In 1978, both HasanefendiÃÂ and Rahimovski were drafted to serve their mandatory stints in the Yugoslav People's Army, Parni Valjak going on hiatus and PaÃÂen deciding to form a new band.
PaÃÂen formed Aerodrom in 1978 with vocalist Zlatan à ½ivkovià(previously a drummer for less-known Zagreb bands), bass guitarist Remo KrstanoviàCartagine, drummer Paolo Sfeci (former member of Balkan Sevdah Band) and keyboardist Mladen Krajnik (formerly of Grupa Marina à  krgatiÃÂa, Grupa 220 and Divlje Jagode). Prior to hiring à ½ivkoviÃÂ, PaÃÂen considered little-known Jura Stublià(later of Film fame) as Aerodrom's vocalist, but gave up on the idea due to StubliÃÂ's deep vocals. PaÃÂen got the inspiration for the band's name from his relationship with a stewardess.
Initially, Aerodrom performed progressive rock. On the 1978 edition of BOOM Festival, the band had their first notable performance, during which PaÃÂen was hit in the head by a bottle thrown from the audience. During the following year, the band held a large number of concerts across Yugoslavia, and in September they performed as one of the opening bands on Bijelo Dugme's Rock Spectacle at the JNA Stadium in Belgrade. The band made their first demos with the help from former Time guitarist Vedran Boà ¾iÃÂ, managing to secure a contract with Jugoton record label. The band's debut album, entitled Kad misli mi vrludaju (When My Thoughts Are Wandering), was produced by Boà ¾iàand released at the end of 1979. Although released at the time when Yugoslav progressive rock scene saw its decline due to expansion of Yugoslav punk rock and new wave scene, the band managed to gain the attention of the audience, mostly owing to the title track and "Kraj tebe u tami" ("Next to You in the Darkness"), the latter later covered by Azra, and for the album the band was awarded a special acknowledgement by SR Croatia's Commission for Culture. After Paolo Sfeci left the band to join Parni Valjak, Aerodrom's new drummer became former NepoÃÂin member Branko Kneà ¾eviÃÂ.
The band's following album, entitled Tango Bango, was recorded in 1981 in Milan and produced by Piko StanÃÂiÃÂ. Influenced by the new, exuberant new wave scene, with songs authored by PaÃÂen, Krajnik and Cartagine, Tango Bango brought radiophonic pop rock-oriented sound. PaÃÂen debuted as vocalist in the song "Djevojke" ("Girls"). The songs "Stavi pravu stvar" ("Put the Right Thing"), "Dobro se zabavljaj" ("Have a Lot of Fun") and "Tvoje lice" ("Your Face") became radio hits and provided the band with frequent performances. Soon after the album release, Krajnik left the band to serve his mandatory stint in the Yugoslav army, and was replaced by Zoran Kraà ¡, formerly of the band Stakleno Zvono (Bell Jar). Soon after, à ½ivkoviàalso left the band, and vocal duties were taken over by PaÃÂen.
In 1982, the band released their third studio album, entitled ObiÃÂne ljubavne pjesme (Ordinary Love Songs). The album was recorded in Sweden and produced by Tini Varga, who also played guitar and sang backing vocals on the album recording. The album also featured guest appearance by long-time ABBA collaborator Ulf Andersson on saxophone. The album brought the biggest hit in the band's career, "ObiÃÂna ljubavna pjesma" ("Ordinary Love Song"), and was followed by a successful promotional tour which included concerts in Sarajevo's Youth Centre Skenderija, Belgrade's Taà ¡majdan Stadium, and Zagreb's Kuluà ¡iàclub and Moà ¡a Pijade Hall. Following ObiÃÂne ljubavne pesme promotional tour, the band went on hiatus due to PaÃÂen's mandatory army stint.
After PaÃÂen's return from the army, in the spring of 1984, PaÃÂen and Cartagine accepted invitation from Azra leader Branimir "Johnny" à  tuliàto join Azra for the spring tour. After the tour ended, PaÃÂen, Cartagine and drummer Nenad Smoljanoviàrecorded Aerodrom's fourth studio album, Dukat i pribadaÃÂe (Ducat and Pins). The album was produced by Novi Fosili vocalist and keyboardist Rajko DujmiÃÂ, who also played keyboards on the album recording. It brought the hits "Fratello", "24 sata" ("24 Hours") and "Digni me visoko" ("Lift Me High"), but also politically-related songs "Laà ¾" ("Lie") and "Daj neku lovu" ("Give Some Money"). The band negotiated with former Time and September keyboardist Tihomir "Pop" Asanoviàto join them on promotional concerts, but eventually went on tour with pianist and conductor Alen Bjelinski playing the keyboards.
After Dukat i pribadaÃÂe tour, Bjelinski joined the newly-formed band Limeni Bubanj (Tin Drum), so the band once again started album recording as a trio. Zlatan à ½ivkoviàreturned to the band to replace SmoljanoviÃÂ, but also provided vocals for some of the songs. The album was entitled Trojica u mraku (Three Man in the Dark), after 1936 comic by Andrija MauroviÃÂ. The album was produced by PaÃÂen, and featured guest appearances by Laza Ristovski (keyboards), Miroslav Sedak BenÃÂià(saxophone), Ante Dropuljià(trumpet) and Herbert Stencel (trombone). The album songs dealt with diverse topics â in "Zagreb, Ljubljana i Beograd" ("Zagreb, Ljubljana and Belgrade") PaÃÂen criticized rock critics, "Eat a Shit" was filled with disappointment and anger and "Pozdrav sa Bardo ravni" ("Greetings from Bardo Plains") was philosophical.
In 1987, à ½ivkoviàmoved to Australia, and Aerodrom ended their activity. At the end of the 1980s, PaÃÂen and Cartagine, with former Azra and Haustor drummer Boris Leiner and other musicians, held several live performance under the name Aerodrom, but without ambition to reestablish the band.
After Aerodrom disbanded, PaÃÂen rejoined Azra, recording the 1987 studio album IzmeÃÂu krajnosti (Between Extremes) and the 1988 live album Zadovoljà ¡tina (Satisfaction) with the group, also participating in the recording of Branimir à  tuliÃÂ's solo albums Balkanska rapsodija (Balkan Rhapsody, 1989) and Balegari ne vjeruju sreÃÂi (Dung Beetles Don't Believe in Luck, 1989). PaÃÂen performed with Azra until the band's last concert, held on 15 August 1990 at Hvar.
In 1991, at the time of Croatian War of Independence, PaÃÂen recorded the song "Tko to tamo gine" ("Who's That Dying Over There") for the various artists album Moja domovina (My Homeland), and a cover of Azra's "Balkan" entitled "Papan" (the title being a slang for an immature boy) for the various artists album Rock za Hrvatsku (Rock for Croatia). During war years, PaÃÂen joined Croatian musicians who performed for Croatian troops.
In 1993, he formed his PaÃÂen Band, recording the album Hamburger City. The album brought the hit song "Ã Â to si u kavu stavila" ("What Did You Put in My Coffee"), featuring a musical quotation from "Don't Let Me Be Misunderstood". PaÃÂen Band recorded two more studio albums, the 1995 Slatka mala stvar (Cute Little Thing) and the 1997 Izbrisani grafiti (Erased Graffiti), the latter bringing the hits "Otkazani let" ("Cancelled Flight") and "Nevolja" ("Trouble"). The song "Samo da me draga ne ostavi" ("I Only Hope My Darling Won't Leave Me") from the album would receive large attention in 2020, with Croatian Composers' Society issuing a statement about "striking resemblance" between the song and Paul McCartney's 2018 song "Confidante" and speculations about PaÃÂen suing McCartney appearing in Croatian media.
In 2000, following the release of the PaÃÂen Band compilation album Retro 16, PaÃÂen reformed Aerodrom. The new lineup of Aerodrom featured PaÃÂen on vocals and guitar, Mladen Krajnik on keyboards, Tomislav à  ojat (formerly of the bands Prva Ljubav and Regata) on bass guitar, and Zlatan à ½ivkoviàon drums. The new lineup released the comeback album Na travi (On the Grass) in 2001. All the songs on the album were authored by PaÃÂen, with "A do Splita pet" ("And Five More to Split") and "Badnja noÃÂ" ("Christmas Night") becoming hits. In 2003, PaÃÂen released his solo album à ½icanje (Wiring), featuring his instrumentals inspired by 1960s music, with à  ojat and Aerodrom former bass guitarist Remo KrstanoviàCartagine taking part in the recording. The album was awarded with Fender Award for the Best Croatian Instrumental Album. Simultaneously, PaÃÂen formed the supergroup 4 Asa (4 Aces) with Vlado Kalember, Alen Islamoviàand Rajko DujmiÃÂ, releasing two studio albums, one live album and one video album with the band, all releases consisting of new versions of the band members' old songs.
In 2007, PaÃÂen, à  ojat and new drummer Slavko Pintarià"Pià ¡ta" (formerly of Srebrna Krila) recorded the album Rock @ Roll, the first album to feature PaÃÂen as the sole remaining original member of Aerodrom and the first to be released under Jurica PaÃÂen & Aerodrom moniker. Alongside PaÃÂen's new songs, the album featured the old song "Fait Accompli", co-written by PaÃÂen and Branimir à  tuliàand dedicated to John Lennon. In 2009, the band released their first live album, Hitovi i legende (Hits and Legends). The album was recorded on Jurica PaÃÂen & Aerodrom concert in Tvornica kulture club in Zagreb held on 13 December 2008, and featured, alongside Aerodrom and PaÃÂen Band songs, the songs of other Zagreb bands the members of the group played with.
Since 2009, the band performs in the lineup featuring PaÃÂen, à  ojat, Ivan Havidià(guitar) and Damir Medià(drums). The lineup recorded the 2012 studio album Taktika noja (Ostrich Tactics), which brought the hits "Loà ¡e volje" ("In a Bad Mood"), "Ostani" ("Stay") and "Duh je nestao" ("The Spirit Is Gone"). In 2014, PaÃÂen released the solo album All Stars, featuring instrumental tracks he recorded with Branimir à  tuliÃÂ, Husein HasanefendiÃÂ, Massimo SaviÃÂ, Vedran Boà ¾iÃÂ, Neno Belan, Zele LipovaÃÂa and Nikà ¡a Bratoà ¡. In 2018, Croatia Records released the box set The Original Album Collection featuring reissues of the first five studio albums by Aerodrom. In 2019, Jurica PaÃÂen & Aerodrom released their latest studio album, Dnevni rituali (Everyday Rituals), with hippie movementâÂÂinspired song "Sunce mi se smije" ("The Sun Is Laughing at Me") becoming a hit.
Aerodrom song "ObiÃÂna ljubavna pesma" was covered, under the title "Gdy Miasto à Âpi (Snem Kamiennym)" ("When the City Sleeps (Dead Asleep)"), on the 2001 album Yugoton, featuring covers of songs of Yugoslav rock acts by Polish musicians. The same song was covered by the Croatian world music band Postolar Tripper on their 2007 album Zamisli à ¾ivot u ritmu cipela za ples (Imagine a Life in the Rhythm of Dancing Shoes). Croatian singer Marko Tolja and Croatian Radiotelevision Jazz Orchestra recorded a swing cover of Aerodrom song "Stavi pravu stvar", releasing it on the album of the same title in 2017.
In 2000, "Fratello" was polled No.87 on the Rock Express Top 100 Yugoslav Rock Songs of All Times list.