In 2010, there was a dramatic increase and prominence in the use of 3D-technology in filmmaking after the success of Avatar in the format, with releases such as Alice in Wonderland, Clash of the Titans, Jackass 3D, Megamind and numerous other titles being released in 3D formats. 20th Century Fox and Republic Pictures celebrated their 75th anniversaries.
In his article highlighting the best movies of 2010, Richard Brody of The New Yorker said: <blockquote>"At times it feels as if weâÂÂre living in something of a cinematic golden age, but one thatâÂÂs altogether different from earlier halcyon days. Where some celebrate the former genius of the system to explain an earlier dayâÂÂs proliferation of fine movies, now the system is something of a blunderer that often flings itself into follies or even crushes inspiration under its weight, but sometimes gets carried away, for reasons good or bad, and hands surprising control of vast resources over to artists who make stunningly audacious and personal use of them. The best filmmakers working in Hollywood have a passionate grasp of the cinematic past, but they donâÂÂt swoon over its polish or emulate its styles, they excavate it for its raw materials. ThereâÂÂs also a ferment here of independent filmmaking that liberates young people who, in earlier times, might have had to scuffle or supplicate for years while angling for a practical chance that now, with video, and with adequate effort, they can seize for themselves. Some of these independents have developed distinctive methods as well as aestheticsâÂÂregarding subject matter, picture, and performanceâÂÂthat are apt for the means of production. They make their lives, their homes, their families, their problems, and even their art the focus of their movies, and because, in their individuality, they share much with others in their generation, their stories, at their bestâÂÂreflecting the age-old clashes and strivings of talented and ambitious youths in life, love, and artâÂÂreverberate deeply and widely. Meanwhile, the proliferation of arthouse cinemas and the sudden availability of classics on DVD and via Netflix go hand in hand with the rise of their art: their fierce focus on the immediate and the intimate includes the intensely personal experience of moviesâÂÂwhether treasures from the history of cinema or instant classics newly arrived from around the world. And, thanks to the InternetâÂÂs rapidity of ripple-effects that carry word from bloggers and enthusiasts to the world at large, the independent aesthetic and its artists have quickly had an impact on the Hollywood mainstream, in salutary ways."</blockquote>
The top 10 films released in 2010 by worldwide gross are as follows:
Palme d'Or (63rd Cannes Film Festival):
Golden Lion (67th Venice International Film Festival):
Golden Bear (60th Berlin International Film Festival):