The 28th Annual Grammy Awards were held on February 25, 1986, at Shrine Auditorium, Los Angeles. They recognized accomplishments by musicians from the previous year, 1985. The night's big winner was USA for Africa's "We Are the World", which won four awards, including Song of the Year which went to Michael Jackson and Lionel Richie. It marked the first time in their respective careers that they received the Song of the Year Award. For Richie, it was his sixth attempt in eight years. The other three awards (including Record of the Year) for the latter single were given to the song's producer, Quincy Jones.
Another big winner was Phil Collins, whose No Jacket Required LP amassed three wins: Album of the Year (alongside Hugh Padgham), Producer of the Year and Best Pop Vocal (Male). The Manhattan Transfer also won three awards, including two for the song "Another Night in Tunisia" (performed and arranged on the album by guest vocalists Jon Hendricks and Bobby McFerrin).
Stevie Wonder won his first Grammy in nine years for his album In Square Circle, after winning fifteen awards in the mid-1970s. While songwriter Jimmy Webb won him his first Grammy in 17 years for his song "Highwayman" (after 1969's Up, Up and Away). Orchestrator and arranger Nelson Riddle, posthumously won for his arrangements on Linda Ronstadt's album Lush Life. There was one new category, Best Polka Recording. It would run until 2009.
Controversy
There were a number of remarkable wins in the classical field. The Atlanta Symphony Orchestra's recording of Berlioz: Requiem won three awards, while a different recording by the same orchestra won the Best Orchestral Performance award. These four wins were the result of an unusually large number of nominations for the orchestra (12 in total), including four in the Best Classical Album category which normally holds five nominees (the Recording Academy decided to add a number of nominations to this list to lessen the domination of the Atlanta Symphony Orchestra in this category).
Several sources from the American classical community â including record labels â expressed their dismay with the situation, suggesting that this was the result of many members of the orchestra and other associates joining the Recording Academy in force to be able to vote on nominations and Grammy winners. Despite the controversy, the orchestra's conductor Robert Shaw and their album producer (and record label owner) Robert Woods won three Grammys each.
Performers
Presenters
Award winners
Record of the Year
Album of the Year
Song of the Year
Best New Artist
Blues
Best Traditional Blues Recording
Children's
Classical
- Best Classical Orchestral Recording
- Robert Woods (producer), Robert Shaw (conductor) & the Atlanta Symphony Orchestra for Fauré: Pelleas et Melisande
- Best Classical Vocal Soloist Performance
- Robert Shaw (conductor), John Aler & the Atlanta Symphony Orchestra for Berlioz: Requiem
- Best Opera Recording
- James Mallinson (producer), Georg Solti (conductor), Philip Langridge, Franz Mazura & the Chicago Symphony Orchestra & Chorus for Schoenberg: Moses und Aron
- Best Choral Performance (other than opera)
- Robert Shaw (conductor) & the Atlanta Symphony Orchestra & Chorus for Berlioz: Requiem
- Best Classical Performance â Instrumental Soloist or Soloists (with orchestra)
- André Previn (conductor), Yo-Yo Ma & the London Symphony Orchestra for Elgar: Cello Concerto, Op. 85/Walton: Concerto for Cello & Orchestra
- Best Classical Performance â Instrumental Soloist or Soloists (without orchestra)
- Vladimir Ashkenazy for Ravel: Gaspard de la Nuit; Pavane Pour Une Infante Defunte; Valses Nobles et Sentimentales
- Best Chamber Music Performance
- Emanuel Ax & Yo-Yo Ma for Brahms: Cello and Piano Sonatas in E Minor and F
- Best Classical Contemporary Composition
- Andrew Lloyd Webber (composer), Sarah Brightman & Plácido Domingo for Lloyd Webber: Requiem
- Best Classical Album
- Robert Woods (producer), Robert Shaw (conductor), John Aler & the Atlanta Symphony Orchestra & Chorus for Berlioz: Requiem
- Best New Classical Artist
- Chicago Pro Musica
Comedy
Composing and arranging
- Best Instrumental Composition
- Jan Hammer (composer) for "Miami Vice Theme"
- Best Album of Original Score Written for a Motion Picture or a Television Special
- Marc Benno, Harold Faltermeyer, Keith Forsey, Micki Free, Jon Gilutin, David "Hawk" Wolinski, Howard Hewett, Bunny Hull, Howie Rice, Sharon Robinson, Dan Sembello, Sue Sheridan, Richard C. Theisen II & Allee Willis (composers) for Beverly Hills Cop performed by various artists
- Best Arrangement on an Instrumental
- Dave Grusin & Lee Ritenour (arrangers) for "Early A.M. Attitude"
- Best Instrumental Arrangement Accompanying Vocalist(s)
- Nelson Riddle (arranger) for "Lush Life" performed by Linda Ronstadt
- Best Vocal Arrangement for Two or More Voices
- Bobby McFerrin & Cheryl Bentyne (arrangers) for "Another Night in Tunisia" performed by The Manhattan Transfer
Country
Folk
Gospel
Historical
Jazz
Latin
Musical show
Music video
Packaging and notes
Polka
Pop
Production and engineering
R&B
Reggae
Rock
Spoken
Special awards
- President's Merit Award presented by Mike Melvoin
- Prince
References
External links