1670 is a Polish mockumentary satirical comedy television series. The first season was released on Netflix on 13 December 2023. The second season was released on 17 September 2025.
The series follows the pursuits of Jan Paweà  Adamczewski, the head of a szlachta noble family in the PolishâÂÂLithuanian Commonwealth during the late 17th century.
Screenwriter Jakub Ruà ¼yà Âà Âo was inspired to write the series after reading Fantomowe ciaà Âo króla: Peryferyjne zmagania z nowoczesnàformàby sociologist . After learning the premise of 1670 from Ruà ¼yà Âà Âo, producers Ivo Krankowski and Jan Kwiecià Âski collaborated to create the series. The team reached out to several broadcasters who rejected the series before it was ultimately greenlit by Netflix. Bartà Âomiej Topa, Katarzyna Herman, Andrzej Kà Âak, and Dobromir Dymecki were all cast without an audition.
Adamczycha, a village of about 100 residents, was chosen as the series' setting after director Kordian Kàdziela saw it on a map and liked the name. Although the series is set in Adamczycha, it was filmed at the open-air in Kolbuszowa in 2022. Several scenes were also filmed at St. Paraskevi Church in Radruà ¼.
Filming for the second season took place on the Croatian island of Vir in September 2024. Filming wrapped in early December 2024.
The series' official trailer was released on 8 November 2023. As part of the series' marketing, Polish influencers were sent bags of hay branded with the 1670 logo.
In early 2024, the series was renewed for a second season, which was released on Netflix on 17 September 2025. To promote the second season, Netflix hosted a temporary exhibition at the Museum of Polish History, titled "We Are All from Adamczycha". Netflix also organized a harvest festival (doà ¼ynki) in the village of Adamczycha, which took place from 19 to 21 September.
On 1 April 2025, the series was renewed for a third season, set to be released in 2026.
Polish critics generally reacted favorably to the series, much to the surprise of director Kordian Kàdziela. Magdalena Drozdek of WP Teleshow wrote, "There was a high probability that the mocking series about the Polish nobility would be such a festival of embarrassment that we would want to forget about it quickly. But the creators of 1670 serve this embarrassment so well that you will have a great time." Maà Âgorzata Major of Wirtualne Media wrote, "Playing with history and tradition is something that does not always gain mass admiration, but for fans of absurd humor and crossing boundaries in comedy, the series 1670 is a must-see."
Ola Gersz of NaTemat.pl gave the series four out of five stars, commending its humor, costuming, and production design. She further wrote, "There has never been anything like this in Poland. Finally, we learn to laugh at ourselves and we can be politically correct, but with class, humor, edge and... brains. It will be a hit." Natalia Nowecka of Radio Eska called 1670 "a masterpiece" and "the series this country needed." Katarzyna Ulman of à Âwiat Seriali called the series "perfect" and commended its writing and performances, particularly that of Bartà Âomiej Topa.
Tomasz Zacharczuk of ' wrote, "To point out Poles' national vices and ridicule the most frequently repeated stereotypes, using the story of 17th-century mustachioed Sarmatians and using the mockumentary formula typical of productions such as The Office or What We Do in the Shadows? Madness. It could only end in two waysâÂÂeither a spectacular flop or a spectacular triumph... It is with clear relief, but above all with the feeling of a great time spent, that we can officially announce the second one. 1670 is the best Polish comedy production of recent years." Jacek Cieà Âlak of Rzeczpospolita compared the series to the 1981 film Teddy Bear, writing, "The series will be funny for some and painful for others because it does not recognize taboos."
On the other hand, reviewing the series' first episode, Joel Keller of Decider wrote, "The first episode of 1670 is designed to be a laugh-a-minute mockumentary, but it barely elicited a chuckle from us. The reason why isn't the language barrier, it's the fact that the satire is over-the-top and unfocused." He also stated that "1670 has the potential to be a good ensemble comedy, but the comedy it aims for is way too broad to be sustainable."